Edward Jacobs

Biography

Edward Jacobs began playing violin at age 8, but abandoned that at age 11—upon hearing a friend’s jazz quartet—in favor of the saxophone. Work at the University of Massachusetts, Amherst in jazz performance (Jeff Holmes, Fred Tillis), and then in composition (Salvatore Macchia, Robert Stern) was followed by study at the University of California, Berkeley in composition (Andrew Imbrie, Olly Wilson, Gerard Grisey); and Columbia University (Chou Wen-Chung, Mario Davidovsky, Marty Boykan, George Edwards).
     Jacobs work as a composer has been recognized by a Guggenheim Fellowship, and a Charles Ives Award of the American Academy of Arts & Letters.  The Academy’s citation reads “Jacobs’s music masters the ‘virtual’ and ‘real’ sound habitats and embeds them into a unified and consistent single space with grace, broad orchestral imagination and expressivity.  Jacobs’s music is immediately engaging, attractive and intellectually demanding.”
      His music is written for forces ranging from soloists to chamber ensembles, orchestra, concerto, choral, and electronic media. His music is published by C. F. Peters Corp., NY, ACA, and APNM.  Recordings by Chris Grymes and Xak Bjerken of Aural History (clarinet & piano), and A Function of Memory are available on Open G Records (A Function of Memory); Passed Time (brass quintet) is on the Meridian Arts Ensemble’s Seven Kings, Innova Records (No. 943); and Release is forthcoming on Ablaze Records Orchestra Masters series.
       Jacobs began teaching at East Carolina University in 1998, where he has received three Research/Creative Activity Grants, a Teacher-Scholar Award, and has been Robert L. Jones Distinguished Professor of Music since 2014.  He is the founding director of NC NewMusic Initiative, begun in 2001; and also created the “Young Composers Project,” a collaboration with general music teachers in the Pitt County (NC) Public Schools, which seeks to make the creation of music a fundamental part of our childrens’ education.

ACE Publications

30 title(s)
Composer Title SCORING/INSTRUMENTATION Year
Edward Jacobs Qualia (fanfare for five) 5 tpt
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Edward Jacobs CONCENTRE (bassoon) bassoon
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Edward Jacobs CONCENTRE (bass clarinet) bass clarinet
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Edward Jacobs ON BALANCE vln, vcl
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Edward Jacobs RELEASE pic, 2 fl, ob, 2 cl, bcl, 2 bn, 2 hn, 2 Ctpt, 2 tbn, btbn, tba, timp, 4 perc, pno, str
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Edward Jacobs PALLADIUM Soprano, piano
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Edward Jacobs DIEGESIS solo tuba
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Edward Jacobs AMUSE-BOUCHE -
solo flute (optionally alto, or bass)
Edward Jacobs ON BALANCE -
two violins
Edward Jacobs SIX HUMORS Solo Violin
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Edward Jacobs PLUS CA CHANGE Vln solo; Picc, 2 Fl, 2 Ob, 2 Cl, Bass Clar, 2 Bsn 4 hn, 2 tpt, 2 tbn, tuba 4 perc Strings
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Edward Jacobs LINE BETWEEN -
soprano, pre-recorded sound
Edward Jacobs ECHOES, SHADOWS piano, pre-recorded audio
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Edward Jacobs TIME AS A FLY -
2 vln, 2vla, vc
Edward Jacobs APHORISMS solo piano
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Edward Jacobs dis/connect tape
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Edward Jacobs Aural History Bb Clarinet, Piano
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Edward Jacobs AL MOMENTO -
vc, tape
Edward Jacobs FUNCTION OF MEMORY -
cl, tape

Additional Works