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"Capricci is an upbeat and spritely quintet... This most unusual but enjoyable work has elements of the Baroque, some Hindemith-like passages and even minimalist touches to it. ...Capricci whets the appetite for more."
- Daniel Coombs from a review of Navona's Perceptions CD.
"The jewel of the evening was the Boston premiere of Thomas L. Read's Capricci (2010), named after Giovanni Tiepolo's mysterious but fanciful, 18th- century etchings, while playing on the term "caprice" that would conventionally be applied to its one-movement, free musical form. Read's decision to treat the guitar as an integral part of the ensemble rather than as a solo with, or as obbligato secondo"¦" was stunningly executed. It is an approach that could have failed in the wrong hands, but Read's acoustical sensibilities for this instrumental combination resulted in musical passages that shimmered with vibrancy. A moment early on when the guitar and first violin"¦ rang out in their respective upper registers in duet over the other instruments stood out as particularly brilliant."
- The Boston Musical Intelligencer, 3/1/13.
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Return Policy
Orders received damaged will be replaced immediately at no additional charge. Refunds requested will be issued back to the original payment
method.
PDF files are not refundable and are considered permanent loan rentals licensed to the customer who purchased.
Purchasing any digital PDFs from American Composers Alliance grants you an unlimited license for your personal use only. ACA grants permission for you to duplicate the score and files as needed for performance.
Any other use of the PDF files may require additional permission from ACA. Purchase and download of PDFs does not automatically include performing and recording rights.
PDF files are not refundable and are considered permanent loan rentals licensed to the customer who purchased.