Description
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The two movements of Ruth Anderson's Prelude and Rondo immediately display the influence of Anderson's training as a flutist in the French style (as a student of Wummer and Rampal). The first movement begins Andante Sostenuto and allows the flutist to sing through the arch-shape melodic sections, ending with quietly reflective harmonics in the flute. The second movement, in true Conservatoire concours fashion, sees the flutist dance through quick ideas that occasionally break into technical fireworks.
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Any other use of the PDF files may require additional permission from ACA. Purchase and download of PDFs does not automatically include performing and recording rights.
PDF files are not refundable and are considered permanent loan rentals licensed to the customer who purchased.