John Gibson


John Gibson composes electronic music, which he often combines with instrumental soloists or ensembles. He seeks to complement and extend the musical inflections of performers with electronic sound, sometimes generated in real time by the software he develops. Originally a composer of purely acoustic music, he retains in his electronic work an obsession with harmonic color and rhythmic pulsation, along with a timbral sensitivity born of his early years as a rock guitarist. His music embraces influences ranging from contemporary classical to jazz, funk, and electronica.

Gibson’s portrait CD, Traces, is available on the Innova label, along with other recordings on the Centaur, Everglade, Innova, and SEAMUS labels. Audiences across the world have heard his music, in venues including the D-22 punk rock club in Beijing, the Palazzo Pisani in Venice, and the U.S. Botanic Garden. His instrumental compositions have been performed by the London Sinfonietta, the Seattle Symphony, the Da Capo Chamber Players, Speculum Musicae, Earplay, and at the Tanglewood and Marlboro festivals. Presentations of his electroacoustic music include concerts at the Seoul International Computer Music Festival, the Bourges Synthèse Festival in France, the Brazilian Symposium on Computer Music, the Australasian Computer Music Conference, the Third Practice Festival, and many ICMC and SEAMUS conferences.

Significant awards include a Guggenheim Fellowship, a Charles Ives Scholarship from the American Academy and Institute of Arts and Letters, the Paul Jacobs Memorial Fund Commission from the Tanglewood Music Center, and a residency in the south of France from the Camargo Foundation. He was a Master Artist at the Atlantic Center for the Arts in May 2017.

Gibson holds a Ph.D. in music from Princeton University. He has taught composition and computer music at the University of Virginia, Duke University, and the University of Louisville. He is now Associate Professor of composition and electronic music at the Indiana University Jacobs School of Music.

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ACE Publications

1 Alliances (1985)
vln, vla, vc

2 Bagatelle (1983)
vln, pno

3 A Bao A Qu (1987)
fl/alto fl, vln, vc, pno

4 Beyond Our Reach (1997)
fl, bcl, bsn, pno, vln, vla, vc

5 Blue Traces (piano solo and electronics) (2009)
piano and computer, with optional string orchestra

6 Conveyor (2007)
electronic - stereo

7 Dancing on a Wire (1994)
3 sax, 2 synth, 2 el gtr, el bass

8 Day Trip (2000)
electronic - stereo and 5.1 surround versions

9 Degrees of Freedom (2011)
solo piano

10 Detour (2003)
electronic - stereo

11 Driptick (2010)
electronic - stereo and 5.1 surround sound mixes

12 EDGEWATER (2018)
video with audio, fixed media
no score

13 Elements (2008)
video and 5.1 surround sound

14 Fits and Starts (1996)
trombone and electric guitar

15 A Flash of Green (1987)

16 Flights of Fancy (1988)
fl, ob, cl, bcl, bsn, hn, tpt, tbn, perc, hp, pno, 2 vln, vla, vc, cb

17 House of the Dreamers (1992)

18 IN FLIGHT (2016)
SSAATTBB, electronics

19 In-between (1990)
fl, cl, vln, vc, pno

20 Jangle (1996)
two pianos

21 Out of Hand (2008)
trumpet, trombone, and computer

23 Serenata (1986)
solo cello

24 sLowlife (2008)
electronic - 8 channels

25 Slumber (2006)
electronic - stereo and 5.1 surround sound versions

26 Thrum (1998)
electronic - stereo

27 Uncanny Valley (2012)
piano, reader, and electronics

28 Wakeup Call (2005)
electronics - stereo

29 The Widening Gyre (2011)
fl, ob, cl, bscl or bsn - hn, tpt, tbn, perc (2), hp, 2 vln, vla, vc, cb, electronics

30 Wind Farm (2009)
7 or more laptop computers

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