Dorothy Rudd Moore (b. 1940) Harlem School of the Arts, teacher, 1965-66; New York University, teacher 1969; Bronx Community College, teacher, 1971; private piano, voice, sight-singing, and ear-training teacher, 1968-present. Considered one of her generation's leading composers of color, Dorothy has received commissions from the National Symphony, Opera Ebony, and the Buffalo Philharmonic. Her work, which includes chamber pieces, song cycles, orchestral music, and an opera, is admired for its high level of artistry and its seriousness of purpose. Moore's parents fully supported her ambitions to be a composer. She studied piano at the Wilmington School of Music, and became a student of Harry Andrews. Moore learned to play clarinet so that she could join the all-male band at Howard High. She graduated from Howard University in 1963 where she studied with Dean Warner Lawson, Thomas Kerr, and Mark Fax. She received the Lucy Moten Fellowship to study in France where she continued her studies with Nadia Boulanger in Paris in 1963 and Chou Wen-Chung in New York in 1965. In 1968 she became a co-founder of the Society of Black Composers in New York City.
Her works have been performed throughout the United States as well as in Europe and Asia. Other awards include an American Music Center Grant, 1972; New York State Council on the Arts Grant, 1985; several Meet the Composer grants. Her works, Dirge and Deliverance, and Songs from the Dark Tower were released by Performance Records in 1981. In 1985, the world premiere of her opera, Frederick Douglass, took place in New York City.
PHOTO BY BERT ANDREWS, from ACA Archives, Special Collections in Performing Arts, University of Maryland.
***Notice: Any recordings of songs or vocal music by Dorothy Rudd Moore need to be licensed and clearances obtained from all legal rightsholders, including ACA, text authors and their estates. Purchase of a score does not transfer recording rights.