Philip Carlsen

Biography

Born in Coulee Dam, Washington, in 1951, Philip Carlsen studied at the University of Washington, Brooklyn College, and the CUNY Graduate Center, working principally with Robert Suderburg and Jacob Druckman, as well as with Stuart Dempster, William Bergsma, Mario Davidovsky, and Charles Dodge.  He has received fellowships from the National Endowment for the Arts, the National Institute of Arts and Letters, and the Maine Arts Commission; a residency at the MacDowell Colony; and the 1989 American Composers Alliance/Town Hall Commission. 

The National Symphony Orchestra, in connection with its nationwide residency program, chose Carlsen to represent Maine in writing a new chamber work for premiere at the Kennedy Center that would “express the spirit of Maine’s people.”  Other commissions have come from the Portland Symphony Orchestra, the Bossov Ballet Theatre, the Sebago-Long Lakes Region Chamber Music Festival, the trio Penumbra, etc.  Carlsen’s solo piano piece “October,” recorded by his son Melsen, is available from Navona Records on the SCI CD series.

In addition to his orchestral, chamber, and vocal music for traditional Western musicians, Carlsen has also composed for Javanese and Sundanese gamelan, for Laotian khean, and for his own original instruments.  He has written and premiered five pieces for automobile orchestra in Farmington, Maine.  One of them, “ReinCARnation,” was encored in October 2015 in the courtyard of Schloss Mirabell in Salzburg.

Carlsen is a Professor Emeritus at the University of Maine at Farmington, where he conducted the orchestra and taught other music courses for 33 years.  He lives in South Portland, Maine, with his wife, the poet Jeri Theriault.

ACE Publications

57 title(s)
Composer Title SCORING/INSTRUMENTATION Year
Philip Carlsen Able Was I 2 Cellos and 2 Sets of Block Drums
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Philip Carlsen Elegy for Al Cello
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Philip Carlsen Strolling Grover's Row Big Band
Flute, Clarinet, A. Sax, T. Sax, Bar. Sax - 4 Trumpets, 3 Trombones, Bass Trombone - Piano, Drums, Bass
Philip Carlsen Chompling Euphonium and Marimba
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Philip Carlsen earth dance SATB choir, piano
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Philip Carlsen Adrift Among the Willows Clarinet, Violin, Viola, and Cello
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Philip Carlsen Fantazy a6 6 Trombones
5 Tenor Trombones, 1 Bass Trombone
Philip Carlsen At the Winter Window SATB chorus and piano
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Philip Carlsen Gambangan solo marimba
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Philip Carlsen Cool Mosses Deep flute octet (piccolo, 4 C-flutes, 2 alto flutes, bass flute)
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Philip Carlsen Dem ESCHART von Brunswick gewidmet 8 pianos in separate rooms
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Philip Carlsen Rhizome Bass Flute, Trumpet, Vibraphone, and Double Bass
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Philip Carlsen IMPROMPTU Euphonium, Marimba
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Philip Carlsen NEW WORLD SUITE No. 3, Part 2: WHO IS THE FLUTEPLAYER? String Trio
Violin, Viola, and Cello
Philip Carlsen Polka Folks - Version for 4-Hands Marimba Marimba Four-Hands
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Philip Carlsen ASA NISI MASA - duo version Violin and Piano
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Philip Carlsen NACH BACH Marimba Quartet
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Philip Carlsen IN SEARCH OF HOLLY 3 Marimbas and 1 Snare Drum
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Philip Carlsen NEW WORLD SUITE No. 3, Part 1: ALL THE DESANCTIFIED PLACES String Trio
Violin, Viola, and Cello
Philip Carlsen Asa Nisi Masa 2-2-2-2 / 2-1-1-0 / 1 perc / solo violin / strings
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Philip Carlsen MOVING DAY Cello and Piano
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Philip Carlsen PENUMBRA Clarinet, Violin, and Piano
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Philip Carlsen NIGHT THOUGHTS - Piano Vocal SATB, piano
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Philip Carlsen Phantastische Sonate piano and chamber orchestra (2-1-2-2 / 2-1-0-0 / timp / str)
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Philip Carlsen SUSURRUS solo marimba
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Additional Works

IMPLICATIONS OF MELISSA 1982
Scoring: 
S, Mz, T, cl, vln, vc, pf
Contact MMB or the composer