Christopher Shultis ist Distinguished Professor Emeritus und Regents Professor of Music an der University of New Mexico, wo er Percussion, Komposition und Musikwissenschaft unterrichtete. Das international renommierte Percussion-Ensemble der UNM arbeitete u. a. eng mit John Cage zusammen.
Sound And Fury Concerts presents Multiple Grammy nominated pianist Nadia Shpachenko will play Close-Ups (Through Tiny Eyes) by Stephen Cohn, as well as a World Premiere by Tom Flaherty and works by Daniel Felsenfeld, Vera Ivanova, Missy Mazzoli, Nick Norton, Peter Yates and Adam Borecki. --at Art Share on July 23rd. at 3:30 PM
When: Saturday, July 23, 2016 at 3:30 PM Location: Art Share 801 E. 4th Place Los Angeles, CA
IN/TER\SECT gives New Yorkers the rare opportunity to experience some of the best players in jazz and classical music, all under one bill. This Friday, Ethan Iverson (set begins at 9pm) will performHall Overton's Piano Sonata No. 1 among many other works.
The 50th Season of the Bar Harbor Music Festival will take place from July 3-31 in Bar Harbor, Maine.
Wednesday, July 13 at 8:00 p.m. 33rd Annual "NEW COMPOSERS" CONCERT "Summer Sounds" NORTH/SOUTH CONSONANCE DUO CLAUDIA SCHAER, VIOLINIST MAX LIFCHITZ, PIANIST
Music by Luciano Berio, Augusta Read Thomas, Muhly, Max Lifchitz, Daria Semegen, and Edmund Cionek (world premiere). Music for Solo Violin by Daria Semegen will be performed by Claudia Schaer. Bar Harbor Congregational Church, 29 Mount Desert Street The audience is cordially invited to a reception following the concert at the Argosy Gallery II, 6 Mount Desert Street, to meet the Artists and Composers.
Works include Variations on “The Turkish Lady,” performed by Kohn and pianist Rob Frankenberry. For this work, composer Allan Blank, then living in Virginia, chose a musical theme that is also from Virginia: “The Turkish Lady” is one of the names given in Virginia to an old English ballad which, in the seminal work of ballad scholar Francis James Child, is identified as “Young Beichan". The digital recording includes thoughtful program notes on the pieces.
Introduction, Seven Vignettes, and Conclusion for alto saxophone and contrabass, performed here by Kohn and Michael Ibrahim, proposes highly contrasted moods within a consistent constructivist technique. The radically different techniques and characters of the two instruments are taken as a challenge to be overcome by both the composer and then the performers.
Andrew Kohn teaches contrabass and music theory at West Virginia University. He holds an Artist Diploma from the Peabody Conserva¬tory, where he studied contrabass with Eugene Levinson, and a Ph.D in music theory and composition from the University of Pittsburgh, where he studied with Eric Moe and Pablo Ortiz.
Ensemble Mise-en Festival 2016 - this week, starting Wednesday, featuring a gaggle of more than 30 composers from all over the world. On Friday, trombone soloist Mark Broschinsky will perform an unusual work by Robert Carl - Updraft for tenor trombone and 9 other trombones pre-recorded.
Ray Luedeke The Lyre of Orpheus (version for 2 harps) - July 11 at the Music and Beyond Festival in Ottawa,Canada - with NAC Orchestra Principal Harp Caroline Leonardelli and Robin Best. Tango Dreams for accordion and string trio - September 3 in Quebec, Canada - with accordion great Alex Sevastian.
Asa Nisi Masa, a new work by Philip Carlsen for violin and chamber orchestra, is being premiered in three concerts in downeast Maine June 17-19 by Trond Saeverud and the Passamaquoddy Bay Symphony Orchestra: Fri, Jun 17, in Eastport; Sat, Jun 18, in Machias; and Sun, Jun 19, in Calais.
ACA's 2015-16 season is supported by the Aaron Copland Fund for Music, the Alice M. Ditson Fund of Columbia University, the Fund for Creative Communities of the State of New York, and BMI. Please help support new music projects with your tax-deductible contribution