Terry Winter Owens

ACE Publications

1 Ancient Fire (1997)
2 pianos with narration

2 Ariadne's Crown (1995)
two pianos or one piano four hands

3 Auf dem Letzten Hügel
violin, marimba, and narration

4 Bending of Light and the Resonant Continuum, The (2003)
piano or prepared piano with narration

5 Celestial Music Book 1:The Facts of Light (2003)
cello with narration

8 Exposed on the Cliffs of the Heart (1994)
piano with narration

9 Homage to Antoine de Saint-Exupery (1992)
vn, cello, piano, narrator

10 Homage to Corelli (1978)
solo harpsichord or piano; or two harpsichords or pianos

11 Pianophoria No. 3 (1995)
two pianos

12 Rapture of Beta Lyrae, The (1998)
piano with narration

13 Red Shift (2001)
piano solo with narration

14 Rendevous with Hyakutake (1996)
piano

15 Spectral Glow (2002)
piano with narration

16 Toccata (1990)
piano

17 When My Senses Deepen (2003)
piano with narration

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Biography: 

Terry Winter Owens (1941-2007) was an internationally-published composer and pianist based in New York City. Her music has been described as "... hauntingly beautiful ... with a magnetic quality which draws both performer and audience into a different world." The Bangkok Times specially noted the "remarkably evocative sonorities" of her music. Owens's catalogue includes works for piano, two pianos, chamber and vocal ensembles, and symphony orchestra.

Influenced by the Post-Webernian school in the 1950s, Owens's music evolved over the years in a modal direction which she calls the Resonant Continuum. Her compositions are transparent in texture with soaring pointillistic phrases. She also composed in traditional, historical idioms exemplified by her Homage To Corelli written in the Baroque style and an album of piano pieces, Serenades to the Composers in 19th century harmonic and stylistic idioms.

Her film score for The Clearing, a film with no dialogue and 12 minutes of continuous music, is scored for two flutes, piano and timpani. The Clearing was selected from over 300 entries to the 1994 New York Expo and has been screened at international film festivals.

Owens performed widely as a pianist and harpsichordist. She was formerly the director of a Baroque and Elizabethan Chamber Ensemble. She also performed as a harpsichordist with the Collegium Musicum of the College of Staten Island.

She was a free-lance editor for various publishers and prepared orchestral/vocal scores from hand-written manuscripts for the Kurt Weill Foundation. She taught piano and composition privately and was on the faculty of the Neighborhood Music School, New York and the Music Institute of Staten Island. She was awarded teaching grants by the New York State Council on the Arts. Owens was a native of New York and received a BA in Music from The City College of NY. She did graduate work in Musicology at New York University. She studied piano with Lisa Grad and composition with Ralph Shapey.