Quincy Porter

ACE Publications

1 ANTONY & CLEOPATRA, INCIDENTAL MUSIC (1937)
1/picc.1.1.1, 2.1.1.0, 3 timp, perc, strings

2 BAGATELLE (1948)
str qnt:2-1-1-1

3 BLUES LOINTAINS - flute version (1928)
flute and piano

5 CONCERTO FOR 2 PIANOS & ORCHESTRA "Concerto Concertante" (1953)
2pf & orch:2/pic-2-2-2,4-2-3-1,timp,str

6 CONCERTO for harpsichord and orchestra (1959)
solo hpschd, orch: pic-2-2-2-bcl-2; 4-3-3-1; timp; perc; str

7 DESOLATE CITY, THE (1950)
Bar, orch: pic-2-2/eh-2-2; 4-3-3-1; timp, perc; str

8 FANTASY FOR VIOLONCELLO AND SMALL ORCHESTRA (1950)
Chamber group with solo cello (2ob, 2hn, perc (tambourine), strings)

9 FANTASY ON A PASTORAL THEME (1943)
organ solo, string orchestra

10 FUGUE for string quartet (1941)
string quartet

11 IMPROVISATION (1948)
vln,pf

12 LYRIC PIECE (1948)
cb, pf

13 NEW ENGLAND EPISODES (1958)
orch:pic-2-2-ehn-2-2,4-2-3-1,str
pic-2-2-eh-2-2; 4-2-3-1; perc; str

14 POEM & DANCE (1932)
orch:2/pic-2-ehn-2-2,4-3-3-1, 3timp,3perc,str

15 QUINTET for Harpsichord and Strings (1961)
hpschd & str qrt

17 SONGS FOR THE ELIZABETHAN CLUB (1961)
voice(s), flute, oboe, bassoon, and 5-part strings (bass viol or cb)

18 STRING QUARTET NO.5 (1935)
str qrt

19 STRING QUARTET NO.9 (1958)
str qrt

20 STRING SEXTET ON A SLAVIC FOLK THEME (1947)
string sextet: 2 vln, 2 vla, 2 vcl

21 SYMPHONY No. 1 (1934)
orch: picc-2-2-ehn-3-2-cbsn, 4.3.3.1, 5 timp, perc (4 players), harp, strings

22 TWELVE SONGS FOR HELEN AND 1 FOR BILL (1938)
sop & cham orch: 1-1-1-1,perc,strings

23 TWO DANCES FOR RADIO (1938)
2.2/ehn.2.2, 4.2.2.0, 3 timp, 2 perc, hp, strings

24 VARIATIONS (1963)
vln,pf

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Biography: 

Quincy Porter (1897-1966) is a descendant of early American pioneers with deep New England roots. His father was a minister and a professor at the Yale Divinity School, as was his grandfather also a professor at Yale. It is no surprise that Quincy Porter would spend his undergraduate and most of his professional life at Yale.

Porter graduated from Yale College in 1919 and Yale School of Music in 1921, where he studied composition with Horatio Parker and David Stanley Smith. While at Yale, he won two prizes in composition. He continued to study in Paris with Vincent D'Indy, then returned to the United States to study with Ernest Bloch, whom he eventually assisted at the Cleveland Institute of Music. He later became head of the Theory Department in Cleveland. In 1928 Porter returned to Paris for two years with the support of a Guggenheim Fellowship. After returning to the States he joined the music faculty at Vassar College where he became professor of music and conductor of the orchestra. He left Vassar in 1938 to become the Dean of the New England Conservatory, where he became its director in 1942. In 1946 he returned to Yale as full professor, where he remained for the rest of his career.

Porter's musical style is mainly tonal, with high use of chromaticism. He did not push the edge of new musical sounds, but he definitely has a unique and fresh style of his own. While he was in Cleveland, Porter was the violist of the Ribaupierre Quartet, which may be why he is one of the few American composers who has an extensive cycle of string quartets. Other important works are his Viola Concerto (1948), often hailed as his greatest work, two symphonies 1934, 1962, and a Concerto Concertante, which won the Pulitzer prize in 1954.

Along with Aaron Copland, Porter helped establish the American Music Center, the Yaddo Artist Colony and Music Festival, and co-founded the American Recording Society.