March 13, 15: Sonitudes by Robert Hughes, Berkeley performances

March 13, 15: Sonitudes by Robert Hughes, Berkeley performances

Friday, Mar. 13, 12:00 PM
Wu Performance Hall (Morrison Hall, Room 125)
UC Berkeley
Berkeley, CA 94720

Noon concerts at Wu Performance Hall are free and open to the public. Seats are limited; arriving 10-15 minutes early is recommended. Wu Performance Hall is located on the first floor of the Music Building (across from Hertz Hall).



Sunday, Mar. 15, 3:00 PM
The Maybeck Studio
1537 Euclid Ave
Berkeley, CA 94708

Join us for a special concert at Berkeley’s historic Maybeck Studio. Experience works by composers of our time alongside Nadia Boulanger’s Three Pieces for Piano and Cello (1914) — composed the same year the studio was built by Bernard Maybeck.

Tickets are limited for this intimate concert.



About Sonitudes

Sonitudes, written in December 1970 by Robert G. Hughes (1933-2022), was commissioned by Gene Hambelton as a Christmas present for his wife Patrice, an accomplished flutist, and for his son Craig, a talented cellist. The first movement unfolds with a quasi-Japanese “kokko” rhythm and supine koto position of the cello played with a drumstick. The rhapsodic second movement features the cello; the third movement “Serenade,” the most complicated section, demands great care in the synchronization of the free-sounding cross rhythms. The final “Caprice” is a technical tour de force for the flutist. Due to the time required to master the flute part, the piece has the aspect of an “etude,” yet the extension of its sonorities by the cello make it a serious concert piece, a “sonorous etude,” and, hence its title, Sonitudes. The work will be performed by Stacey Pelinka on flute and Leighton Fong on cello. Sonitudes is paired with other works that extract maximum power from small forces.

Photo of the composer at Bellagio Center.

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