Ramon Zupko

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Biography: 

Ramon Zupko was born in Pittsburgh, PA in 1932. He is currently retired Professor Emeritus of Music of the School of Music, Western Michigan University, where he taught composition, theory, and founded and directed the Studio for Electronic and Computer music from 1971 to 1997. He taught theory and established the first Electronic Music Studio in Chicago at the Chicago Musical College from 1967-1971. He began to compose before his teens, and received his Bachelor and Master of Science in Composition degrees from the Juilliard School of Music. His principal composition teacher was Vincent Persichetti. He completed additional study with Aaron Copland, Otto Leuning, and in Europe (where he lived for 5 years) with Michael Gottfried Koenig in Hilversum, and Karl Shiske in Vienna.

He is a member of the American Composers Alliance, (from whom all of his otherwise unpublished works can be ordered) and BMI. He is also a member of the American Music Center. Zupko’s catalog includes nearly 100 works, many of which employ the electronic and digital mediums, as well as works for the theater. His composition awards, commissions, and honors include: * Fulbright Fellowship for study in Vienna * Guggenheim Fellowship * American Academy and Institute of Arts and Letters award * Koussevitzky Foundation Commission for orchestral work * Kennedy-Friedheim Competition award for Piano Concerto * American Composers Alliance Recording Award * Berkshire Music Center Commission for orchestral work * National Endowment for the Arts - 3 composer grants * Gilmore International Piano Festival commission for piano work * Phi Mu Alpha Sinfonia commission for an opera * Fromm Foundation commission for orchestral work * ISCM Competition - works selected twice to represent the U.S. at International Festivals. * Premio Citta di Trieste - Violin Concerto awarded 1st prize. * Meet the Composer - grant to present premier of chamber work “Solo Passages” * Distinguished Faculty Scholar award at Western Michigan University for 1983-84. * MENC-Ford Foundation “Composers in Public Schools Project” - 2 one-year grants for Texas & Illinois Zupko's compositions have been performed at New York's "Composer 's Forum,” Carnegie Recital Hall, Alice Tulley Hall in Lincoln Center, Borden Hall, BAM, the Kennedy Center in Washington, D.C., and at various festivals and college campuses throughout the country, as well as in Europe.

His orchestral works have been performed by the Detroit, St. Louis, Indianapolis, Kalamazoo, Curtis Institute, Tanglewood Festival, National Orchestral Association, Grand Rapids, Brooklyn Philharmonic, and American Composers orchestras.

ACA List for Ramon Zupko

ADAGIO & SCHERZO (1956)
pf solo
ALL THE PRETTY HORSES (1962)
SATB; chamber orch
BALLADE FOR ORCHESTRA (1957)
orchestra:picc.-2-2-e.hn.-2-b.cl-2-c.bsn - 4-2-3-1- PERC. - HARP - STRINGS
BLUE ROOTS - SYMPHONY IN 3 MOVEMENTS (1986)
orch: 2.2.2.2 4.3.3.1. 3 perc, kbd (pf & synth), str
CANTI TERRAE (1982)
picc-3.3.3.3 4.3.3.1 3 perc, str
CHACONNE (1995)
CHORALE (1989)
brass: 2.1.1.1(or btbn)
CITY IN THE SEA, THE (1955)
mezS, str 4tet: 2-1-1
CRADLE SONG (1957)
high voice and piano
CREATION (1972)
electronic on tape
DANCE PRELUDE (1962)
concert band: picc,2-2-3-a.cl.-b.cl.-2-sax: 2-2-1-cornets(tpts) 3- Hns:4- bar.hn:2-trb:3-tuba -perc.
DIALOGUES AND A DANCE (1961)
1-2-2-Eb cl.. 3cl.,a.cl., b.cl., 2 bsn., Sax: 2-2-1, Cornets (tpts):5, hns:4, bar.hns.:2, trb.:3 tuba, perc.
EARTH AND SKY - symphony for band (1984)
2 picc-2.2.3.bcl.2, 4 sax (AATB), 3cor,2 tpt., 4.2.euph.3.1, 6 perc
ELEGY (1957)
EMULATIONS (1969)
electronics, piano
EPITAPH (1957)
2 violins, viola, cello, bass
FANTASIA for orchestra (1956)
2,1,2,2,-4 - 2,2,1 - 4 Perc., Strings
FLUXUS 1 (1977)
audio fixed media

zupko_fluxus1_excerpt.mp3

excerpt - Fluxus 1 - tape piece with Moog (1977)
FLUXUS 10 (1993)
hn, tape (CD)
FLUXUS 11 (1994)
flute, tape
FLUXUS 12 (1994)
solo perc (mrmba, vib, xyl), tape (audio file)
FLUXUS 2 (1978)
pf
FLUXUS 3 (1978)
vln, perc, tape (CD)
FLUXUS 4 (1987)
solo guitar
FLUXUS 5 (1987)
solo cl, 2-track tape(CD)
FLUXUS 6 (1988)
tpt, tape(CD)
FLUXUS 7 (1988)
solo tbn, 2-track magnetic tape(CD)
FLUXUS 8 (1988)
solo alto sax, 2-track magnetic tape(CD)
FLUXUS 9 (1990)
pf, tape (CD)
FOLKSODY (1990)
pf, vln, vcl
FOUR PRELUDES (1962)
brass qrt 2-1-1
INTERLUDE FOR ORGAN (1956)
organ, at least 2 manuals, pedals.
INTERMEZZO AND ALLEGRO (1957)
band: 1-2-2 (+e.hn.) - Eb cl.-3-1- b.cl.- 2bsn.-sax: 2-2-1 -cor:1-2-3 - tpt:1 -2 hn:1-2-3-4- bar:1-2- trb: 1-2-3- tubas- perc.(3 perf.)
INTRODUCTION AND BAGATELLE for 10 instruments (1957)
bassoon, clarinet, flute, horn, oboe, strings
LA GUERRE (1965)
sop & ch ens: cl, pf, vib, 3 perc
LIFE DANCES (1981)
orch: picc-3.3.3.3; 4.3.3.1; 5 perc; harp, pno, str
MARCH (1961)
concert band: picc., 2,2,eb cl., 1,2,3, alto cl., b.+contra bass cl., bsn:2,sax:2,2,1,cor:1,2,3,4,5,hn: 1,2,3,4,bar:1,2,trb: 1,2,3,tuba,perc.
MASQUES (1973)
pf, brass qnt (2.1.1.1)
METACYCLES (1966)
modified voices on tape

zupko_metacycles_excerpt.mp3

excerpt - tape piece "Metacycles" realized at EMS in Holland (1966)
Night Music (1955)
NIGHTINGALE, THE (1995)
Alto, Bar, Bs-Bar, cello, clarinet, flute, percussion, piano, piccolo, soprano, tenor, trombone, trumpet, violin
NOCTURNES (1977)
2 pfs
NOOSPHERE (1980)
vln, vla, vc
ODE & JUBILATION (1961)
band: picc-2.2.ebcl-3Bb-Eb alcl-Bb bcl.-2bsn.-4 sax (AATB).5cor.-4hn.-barhn.- 3 trb.- bass- perc
PASTORALE (1956)
Bb cl., string orchestra
PIANO TRIO (1958)
pf, vln, vcl
PIED BEAUTY (1966)
PRO AND CONTRA DANCES FOR BRASS QUINTET (1986)
hn, 2 tpt, tbn, tba
PROLOGUE, ARIA, & DANCE (1961)
hn, str orch
PROUD MUSIC OF THE STORM (1976)
orchestra, 2 bands, chorus, dancers, electronic tracks, narrators, visuals (film and slides)
PSALM #120 (1966)
PSALM #8 (1961)
RADIANTS (1971)
Orch: 3/picc.2/ehn.3/Ebcl.bcl.2, 4.4.2.btbn.1, 6 perc, div strings
REFLEXIONS (1964)
vln, vla, vcl, db, hp, vib, mmb, gtr
RITUALS AND DANCES (1981)
triple quintet (wind, brass, and strings) plus 3 percussion.
SALVE PACIS NUNTIA (1974)
16-part a cap. choir
SIX PRELUDES (1957)
pf
SOLO PASSAGES (1985)
fl, hn, vln, vla, vcl, hp
SONATA FOR PIANO (1960)
pf
SONG AND DANCE (1957)
hn, pf
SONGS OF CHILDHOOD (1955)
sop., pno
SPRING PASTORALE (1956)
low voice, pf
SPRING SONATA (1971)
audio fixed media

zupko_springsonata_excerpt.mp3

Spring Sonata - excerpt - fixed media audio (1971)
TANGENTS (1967)
6tet 1: 3tpt, 3cor; 6tet 2: 4hn, 2bar; 6tet 3: 4tbn, 2tba
TE DEUM TRILOGY for organ (1984)
pipe organ w/ 3 manuals
THIS IS THE GARDEN (1962)
choir, str, wind soloists,( fl., ob., cl., tpt.) perc
TRANSLUCENTS (1967)
str orch or ensemble (2-2-2-2-2)
TRICHROMES (1973)
band:(1 to a part - total of 34 players) 3/picc.-3-.3/Ebcl-bcl.-2,
TWO CANZONAS (1956)
2 fl, pf
TWO SHAKESPEARE SONNETS (1957)
S or T, pf
VARIATIONS (1961)
vcl, pf
VARIATIONS FOR ORCHESTRA (1961)
1.2.2.2.2, 4.3.3.1, perc, str
VIOLIN CONCERTO (1962)
vln & orch: picc-2.2.2.2, 4.3.3.1, perc, pf, str
VOICES for Soprano and Tape (1972)
Soprano (amplified), 4-ch. magnetic tape (on CD)
VOX NATURAE, Concerto for Brass Quintet and Orchestra (1991)
orch: 2/pic-2/eh-2/bcl-2/cbsn; brass 5tet: 2-1-1-1; str; perc (3)
WEATHERS (1966)
WHERE THE MOUNTAIN CROSSES (1982)
mezzo sop, pf
WINDSONGS - CONCERTO FOR PIANO AND ORCHESTRA (1979)
pf solo, orch: picc,3.3.3.3. 4.3.3.1. perc.(4 players) harp, strings
WINTER 64 (1964)
pf solo

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