A recent New York concert by pianist Steven Beck was described as “exemplary” and “deeply satisfying” by Anthony Tommasini in the New York Times. He continues to gather acclaim for his performances and recordings. Recent career highlights include performances of Beethoven’s variations and bagatelles at Bargemusic, where he first performed the Beethoven sonata cycle, and a performance of Saint-Saens' Carinval of the Animals with the New York Philharmonic.
Mr. Beck is an experienced performer of new music, having worked with Elliott Carter, Pierre Boulez, Henri Dutilleux, Charles Wuorinen, George Crumb, George Perle, and Fred Lerdahl, and performed with ensembles such as Speculum Musicae and the New York New Music Ensemble. He is a member of The Knights, the Talea Ensemble, and the Da Capo Chamber Players. He is also a member of Quattro Mani, a piano duo specializing in contemporary music. As an orchestral musician he has appeared with the New York Philharmonic, the New York City Ballet Orchestra, Orpheus, the Mariinsky Orchestra, and many others. Mr. Beck’s discography includes Peter Lieberson’s third piano concerto (for Bridge Records) and a recording of Elliott Carter’s “Double Concerto” on Albany Records. He is a Steinway Artist.
Dorothy Rudd Moore (b.1940), has received commissions from the National Symphony, Opera Ebony, and the Buffalo Philharmonic, among many solo artists. Considered one of her generation's leading composers of color, her music has been performed and recorded world-wide, and includes chamber pieces, song cycles, orchestral music, and an opera, and is admired for its high level of artistry and its seriousness of purpose. Other awards she has received include an American Music Center Grant, 1972; New York State Council on the Arts Grant, 1985; and several Meet the Composer grants. Two of her works, Dirge and Deliverance, and Songs From the Dark Tower were released by Performance Records in 1981. In 1985, the world premiere of her opera, Frederick Douglass, took place in New York City.
Moore's parents fully supported her ambitions to be a composer. She studied piano at the Wilmington School of Music and became a student of Harry Andrews. Moore learned to play clarinet so that she could join the all-male band at Howard High. She graduated from Howard University in 1963 where she studied with Dean Warner Lawson, Thomas Kerr, and Mark Fax. She received the Lucy Moten Fellowship to study in France where she continued her studies with Nadia Boulanger in Paris in 1963 and then with Chou Wen-Chung in New York in 1965. In 1968 she became a co-founder of the Society of Black Composers in New York City. As an educator, she has taught voice, piano, and ear training courses at Harlem School of the Arts, 1965-66; New York University, 1969; and Bronx Community College, 1971.
Dream and Variations - Dorothy Rudd Moore
Recorded at home in New York, NY, October 2020
Steven Beck, piano
Mastered by Robert Scott Thompson, Aucourant Records.
Property of Shelter Recording Project, American Composers Alliance.