Robert Carl (b.1954) studied composition with Jonathan Kramer, George Rochberg, Ralph Shapey, and Iannis Xenakis. His music is performed throughout the US and Europe, and is published by American Composers' Alliance, Boosey & Hawkes, Roncorp, and Apoll-Edition. His grants, prizes and residencies have come from such sources as the National Endowment for the Arts, Tanglewood, Connecticut Commission on the Arts, Camargo Foundation, MacDowell Colony, Yaddo, Ucross, Millay Colony, Bogliasco Foundation, Djerassi Foundation, the Aaron Copland House, and the Rockefeller Foundation.
He has been awarded a 2005 Chamber Music America commission for a string quintet written for the Miami String Quartet and Robert Black. An excerpt from his opera-in-progress Harmony (with novelist Russell Banks) was presented in May 2005 in the New York City Opera’s VOX Showcase series. He is also the recipient of the 1998 Charles Ives Fellowship from the American Academy of Arts and Letters. New World Records released a CD of three large string chamber works in March 2006. In 2007, Carl received a fellowship from the Asian Cultural Council for travel to Japan to research contemporary Japanese composers, and he has been commissioned by Oxford University Press to write a book on the premiere of Terry Riley’s In C.
Other CD releases of his work are found on Neuma, Koch International, Lotus, Centaur, Vienna Modern Masters, E.R.M., and The Aerial. For fifteen years he was a co-director of the Extension Works new music ensemble in Boston; he is chair of the composition department at the Hartt School of Music, University of Hartford, and writes extensively on new music for Fanfare Magazine. He studies shakuhachi with Ralph Samuelson.
Search
ACA Composer Composition
ACE Publications
| Composer | Title | SCORING/INSTRUMENTATION | Year |
|---|---|---|---|
| Robert Carl | Wind's Trace Rests on Leaves and Waves | -
2 violins, viola, cello, double bass |
|
| Robert Carl | CLEAN SWEEP | Shakuhachi, tape
- |
|
| Robert Carl | SIMIC SONGS | -
SATB a cappella |
|
| Robert Carl | MARFANTASIE | -
fl/alto fl, 2 alto sax, bscl, elec guit, Perc (1), 6 vlns, 2 vla, 2 vcl, 1 cb |
|
| Robert Carl | WHERE SOUND AND THOUGHT MEET | -
Soprano Saxophone in Bb; Alto Saxophone in Eb ;Tenor Saxophone in Bb; Baritone Saxophone in Eb |
|
| Robert Carl | PIANO TRIO NO. 2 "THE BLOSSOM" | -
vln, vc, pf |
|
| Robert Carl | BLUES BOX | pf
- |
|
| Robert Carl | EXCAVATING THE PERFECT FAREWELL | -
viola, piano |
|
| Robert Carl | From the Ground Up (Sonic Etude for Piano) | pf
- |
|
| Robert Carl | BRAIDED BAGATELLES | pf
- |
|
| Robert Carl | STING OF COMMAND | -
Baritone voice plus quartet of clarinet, violin, piano, double bass |
|
| Robert Carl | BLESSING FOR TWO | Violin and Vibraphone
- |
|
| Robert Carl | Gideon's Lullabye (for two trumpets in C) | 2 C trumpets
- |
|
| Robert Carl | SOLO SONG (for voice alone) | voice
- |
|
| Robert Carl | IN FLIGHT TOGETHER/IN FLUG ZUSAMMEN | -
Violin OR viola with organ |
|
| Robert Carl | SANCTUS FOR ZEPERNICK | -
SATB |
|
| Robert Carl | STRING QUARTET No. 2 “Fear of Death/Love of Life” | -
string quartet: 2-1-1 |
|
| Robert Carl | COLORING SOUND'S SCENT | -
oboe, cello, piano |
|
| Robert Carl | DI PENSIER IN PENSIER | -
Sop, Mezzo Sop, Harpsichord |
|
| Robert Carl | TRANSCENDENTAL CAKEWALK (6 players) | sextet
asax/Ebcl, elec gtr, perc, pf, vc (amp), cb (amp) |
|
| Robert Carl | WRITTEN ON WOOD | -
pf, perc |
|
| Robert Carl | SEEING FORMS, HEARING VOICES | -
Soprano (also plays Tibetan finger cymbals), 4 low male voices, tpt, bs tbn, 2 perc, vln, vla, vcl, cb, keyboard sampler, audio playback, |
|
| Robert Carl | SYMPHONY NO. 3 'THE WORLD TURNED UPSIDE DOWN' | -
orch: pic/3-3/eh-3/bcl-3; 4-3-2/1btbn-1; harp; piano; timpani; 3perc; strings |
|
| Robert Carl | Open | -
violin, viola, cello |
|
| Robert Carl | Violin Sonata No. 2 (Angel-Skating) | -
vln, pf |