| Raoul Pleskow |
CONTRASTS |
violin, piano |
violin, piano |
|
| Richard Cameron-Wolfe |
Mirage d'esprit |
guitar quartet |
guitar acoustic classical |
|
| Joel Eric Suben |
IMPROMPTU NO. 4 |
solo piano |
piano |
|
| Joel Eric Suben |
FOUR RHAPSODIES- vln-orchestra |
3 Fl, Ob, BsCl, Hn, Tp, Tn, Tu, 1 perc, Mandolin, Hp, Pf (in orch), Strings |
violin |
|
| Joel Eric Suben |
FOUR RHAPSODIES- vln-piano |
violin, piano |
violin, piano |
|
| Ronald Roseman |
STABAT MATER |
S, fl, ob, vcl, hpschd |
|
|
| Ronald Roseman |
HAIL MARY |
Sop, fl, ob, vcl |
|
|
| Darleen Mitchell |
TOUSSAINT II FOR TROMBONE SOLO AND CONCERT BAND |
tbn solo, concert band |
trombone |
|
| Elliott Miles McKinley |
DREAM ANGEL |
vln, vla, pf |
piano, violin, viola |
|
| Emil Awad |
Maseveh |
marimba |
marimba |
|
| Tom Flaherty |
SEMI SUITE |
solo cello |
cello |
|
| Andrew Ardizzoia |
Memory, hither come |
SATB choir, piano |
chorus mixed (SATB), piano |
|
| Andrew Ardizzoia |
Sonata Concisa for Trombone and Piano |
Trombone and Piano |
trombone, piano |
|
| Joseph Dangerfield |
BROKEN OBELISK |
alto saxophone, piano |
alto saxophone, piano |
|
| Joseph Dangerfield |
DREAMS OF FIN |
vln, pf |
violin, piano |
|
| Darleen Mitchell |
O VOS ANGELI (In Praise of Angels) |
Soprano, clarinet, piano |
Soprano, clarinet, piano |
|
| H. Leslie Adams |
BLAKE'S MONOLOGUE |
Tenor, piano |
Tenor |
|
| Gary Philo |
DUOS FOR VIOLIN AND VIOLA |
vln, vla |
violin, viola |
|
| Philip Carlsen |
Cool Mosses Deep |
flute octet (piccolo, 4 C-flutes, 2 alto flutes, bass flute) |
piccolo, flute, bass flute, alto flute |
|
| Joseph Dangerfield |
PIANO QUINTET |
2 violins, viola, violoncello, piano |
piano |
|
| Joseph Dangerfield |
REMNANTS |
solo piano |
|
|
| Mark Zuckerman |
PARAPHRASES for flute alone |
solo flute |
flute |
|
| Mark Zuckerman |
FOCUS |
vcl |
|
|
| Mark Zuckerman |
HOMONYMS |
piano solo |
|
|
| Darleen Mitchell |
Songs of Quiet |
Soprano, Flute, Harp |
Soprano, flute, harp |
|
| Darleen Mitchell |
THREE WHITMAN SONGS |
Baritone voice, pf |
Baritone (voice), piano |
|
| Marilyn Bliss |
ENCOUNTER |
solo flute |
|
|
| Andrew Ardizzoia |
LINGUA FRANCA |
cl |
clarinet |
|
| Nancy Van de Vate |
SIX ETUDES FOR SOLO VIOLA |
solo viola |
viola |
|
| Paul A. Pisk |
TRAIL OF LIFE, Op. 88 |
Sop, Bar solo, Mixed Choir, Narrator, Piano |
Soprano, Baritone (voice), chorus mixed (SATB), piano |
|
| Paul A. Pisk |
SONNET for Chamber Orchestra, Op. 98 |
|
|
|
| Paul A. Pisk |
SONATA for Clarinet and Piano Op. 59 |
cl, pf |
clarinet, piano |
|
| Paul A. Pisk |
CARIBBEANA |
solo piano |
|
|
| Vally Weigl |
LULLABY |
voice, piano |
|
|
| Vally Weigl |
CHILDREN'S STORIES |
piano solo, piano 4-hands |
piano |
|
| Vally Weigl |
REFLECTION - HOW MANY NIGHTS |
voices, piano, opt vla or vcl |
|
|
| Joseph Dangerfield |
TWO SONGS |
Soprano, piano |
Soprano, piano |
|
| Joseph Dangerfield |
GEOMETRIC ETUDES |
solo piano |
piano |
|
| Robert Newell |
THE LOVE OF GOD |
SAB choral with keyboard |
chorus mixed (SATB) |
|
| Phillip Rhodes |
A TANGO FANTASY |
1212 2100 perc(1), piano, strings |
|
|
| Lewis Nielson |
BOGEN UND KEHRE |
cello, percussion (1) |
cello, Percussion |
|
| Robert Gibson |
NIGHT EATS COLOR |
10 players |
|
|
| Raoul Pleskow |
LATE WINTER MUSIC - BAGATELLE FOR PIANO |
solo piano |
|
|
| Andrew Ardizzoia |
A Certain Stunned Muteness |
solo vibraphone |
vibraphone |
|
| Elizabeth R. Austin |
OWL AND THE PUSSYCAT |
SATB choir, piano |
chorus mixed (SATB), piano |
|
| Elizabeth R. Austin |
GOOD-BYE MY FANCY! |
high Baritone, piano |
Baritone (voice), piano |
|
| Robert Newell |
Cantilena a Quatro |
string quartet |
|
|
| Andrew Ardizzoia |
Modular Suite for Horn and Piano |
horn, piano |
French horn, piano |
|
| Roger Goeb |
TWO SONGS |
Mezzo, String Quartet |
Mezzo-Soprano |
|
| Roger Goeb |
SINFONIA 1 |
orch: 2-2-2-2; 4-2-3-1; timp, perc; pf; str |
|
|
