| Francine Trester |
An Oman Odyssey |
soprano and piano |
Soprano, piano |
|
| Tom Flaherty |
Time's Up |
2 pianos six-hands, 4 percussion |
piano, Percussion |
|
| Lawrence Dillon |
LET SLIP (for Pierrot+) |
Pierrot + |
flute, clarinet, piano, Percussion, violin, cello |
|
| Robert Ceely |
Canons |
alto flute, clarinet in A, and bassoon |
alto flute, clarinet in A, bassoon |
|
| Thomas L. Read |
Paracelsus Trio |
two violins and cello |
violin, cello |
|
| Marilyn Shrude |
SECRETS |
Soprano, string quartet |
Soprano |
|
| Richard Brooks |
String Quartet No. 6 "Dies Irae" |
string quartet |
|
|
| Lansing McLoskey |
Task Ahead Is Enormous, and There Is Not Much Time |
piccolo, violin, piano and percussion |
piccolo, piano, Percussion, violin |
|
| John Anthony Lennon |
bon mechants |
guitar and double bass |
double bass, guitar acoustic classical |
|
| Elliott Miles McKinley |
Memory Garden |
flute, cello, and piano |
flute, piano, cello |
|
| John Anthony Lennon |
Still the Fire |
alto saxophone, cello, and piano |
alto saxophone, piano, cello |
|
| Robert Carl |
DUKE MEETS MORT |
Chamber orchestra: 2-1/eh-2-ssax-2; 2-1-1-0; perc; str |
|
|
| Francine Trester |
Woodwind Quintet |
wind quintet |
|
|
| Michael Dellaira |
Hollow Hill |
soprano and piano |
Soprano, piano |
|
| Steven Christopher Sacco |
Three Lyric Pieces |
piano trio |
piano, violin, cello |
|
| Darleen Mitchell |
String Quartet: in tempore belli |
string quartet |
|
|
| Beth Wiemann |
UNTIL THE WAR IS OVER |
4 singers (Sop, Mezzo-Sop, Bar, Ten), flute, alto saxophone, double bass, piano and electronic sound |
|
|
| Sunbin Kim |
Reliquary |
violin, viola, cello, and piano |
violin, viola, cello, piano |
|
| Raoul Pleskow |
Fantasy for String Quartet |
string quartet |
|
|
| John Anthony Lennon |
Serpent |
flute, harp, and viola |
flute, harp, viola |
|
| Lou Coyner |
SEED SEEKER |
solo flute and self-generated audio recording |
flute, tape (audio) fixed media |
|
| Martin Boykan |
EPITHALAMION |
Bass voice, violin, harp |
Voice, harp, violin |
|
| Francine Trester |
Dualities |
two violins |
violin |
|
| Francine Trester |
Sekelela |
SATB chorus and piano trio |
chorus mixed (SATB), piano, violin, cello |
|
| Francine Trester |
Robert Lowry Reader |
soprano and piano |
Soprano, piano |
|
| Jan Gilbert |
SUITE FOR STRING QUARTET AND VEENA |
String Quartet, veena |
|
|
| Jan Gilbert |
OF HELOISE: THE SONGS OF ABELARD |
Countertenor, viola |
Countertenor, viola |
|
| Sarah Meneely-Kyder |
LETTER FROM ITALY, 1944: A soldier's Story told in music - Chorus, Orchestra |
1/pic-1/EH-1-1 2-0-0-0 hp pf/kb perc(2) strings, SATB choir |
|
|
| Sarah Meneely-Kyder |
LETTER FROM ITALY 1944 - Tenor, Piano |
Tenor, piano |
Tenor, piano |
|
| Peter Westergaard |
Moto Perpetuo |
flute, oboe, clarinet, trumpet, horn, and bassoon |
trumpet, French horn, oboe, flute, clarinet, bassoon |
|
| Dane Rudhyar |
THREE MELODIES FOR FLUTE, CELLO, AND PIANO |
flute, cello, piano |
|
|
| Joseph Dangerfield |
Valhol |
concert band |
|
|
| Francine Trester |
Walkers with the Dawn |
SATB and treble choirs, baritone solo, narrator, and orchestra |
chorus mixed (SATB), chorus children or treble voices, Baritone (voice), narrator-speaker(s) |
|
| Francine Trester |
Partita No. 2 for Solo Violin |
|
violin |
|
| H. Leslie Adams |
BLAKE: LOVE DUET |
Soprano, Tenor, Piano |
Soprano, Tenor |
|
| Francine Trester |
BORROWED BLUE |
viola, guitar |
viola, guitar acoustic classical |
|
| Robert Ceely |
ELECTRONIC MUSIC RESOURCE BOOK |
|
|
|
| Darleen Mitchell |
Winter Garden |
voice, violin, and cello |
Voice, violin, cello |
|
| Robert Scott Thompson |
PASSAGE |
clarinet and electroacoustics |
electronic or computer live sound, amplified or live processing, clarinet |
|
| Robert Scott Thompson |
Canto (de Las Sombras) |
clarinet and computer-generated electronics |
electronic or computer live sound, amplified or live processing, clarinet |
|
| Robert Scott Thompson |
Widening Gyre |
clarinet, signal processing, and computer-generated tape |
tape (audio) fixed media, clarinet |
|
| Martin Boykan |
MA'ARIV SETTINGS |
SATB, org |
chorus mixed (SATB), organ |
|
| Raoul Pleskow |
Movement for String Quartet |
string quartet |
|
|
| Matthew Greenbaum |
BANJO |
electronic, fixed media audio |
|
|
| Miriam Gideon |
THREE BIBLICAL MASQUES |
organ solo |
organ |
|
| Richard Brooks |
SET PIECES |
guitar, harpsichord |
guitar acoustic classical, harpsichord |
|
| Brian Fennelly |
SACRED SONGS BOOK 2 |
baritone and piano |
Baritone (voice), piano |
|
| Joseph Dangerfield |
Two Vestiges |
|
|
|
| Joseph Dangerfield |
MicroSuite |
|
organ |
|
| Louis Karchin |
Constructions (Mvt. II from Ancient Scenes) |
pierrot+ ensemble |
violin, cello, flute, clarinet, piano, Percussion |
|
