John Verrall

Biography

John Weedon Verrall (b. 1908 - d. 2001) was an American composer of contemporary classical music.

Prior to his University studies, Verrall studied composition with Donald Ferguson, followed by studies with R. O. Morris in London and Zoltán Kodály in Budapest. He obtained a B.M. degree from the Minneapolis School of Music in 1929, and a B.A. from the University of Minnesota in 1934. In the early 1930s he spent several summers at the Berkshire Music Center at Tanglewood, where he studied composition with Aaron Copland, Roy Harris, and Frederick Jacobi. He taught at Hamline University from 1934–1942 and Mount Holyoke College from 1942–1946, during which time he briefly served in the U.S. Army during World War II. While teaching at Mount Holyoke College, Verall also worked as a music editor for G. Schirmer. In 1946 he was awarded a Guggenheim Fellowship.[1] In 1948 he joined the music faculty at the University of Washington, where he taught composition and music theory until he retired as professor emeritus in 1973. Several of Verrall's students have gone on to have successful careers, including William Bolcom, Alan Stout, and Gloria Wilson Swisher.

From the late 1940s, Verrall used as the tonal basis for his music a nine-pitch scale consisting of two tetrachords on either side of a central pitch, itself alterable (C–D–E–E, F or F, G–A–B–B). This collection lends itself to symmetrical harmonic formations and melodic contours which, with equivalent rhythmic and metrical formations, generate the global and local pitch and rhythmic relations in his music.

Verrall wrote numerous symphonic works and chamber music pieces including four symphonies, seven string quartets, a violin concerto, and a viola concerto, among many other works. He also wrote several vocal art songs, choral works, and three operas.

Composer's photo above: John Verrall at the piano, undated. Photo: James A. Young. Special
Collections, UW Libraries, UW23557z

  • piano
  • ACE Publications

    36 title(s)
    Composer Title SCORING/INSTRUMENTATION Year
    John Verrall APPALACHIAN FOLK SONG vcl,pf
    John Verrall CHILDREN, THE 1.1.1.1, 2.2.3.0, pf, strings
    John Verrall COLONIAL HERITAGE high or low vc,pf
    John Verrall CONCERTO FOR PIANO & ORCH pf,orch:2-2-2-2,2hns,timp,str
    John Verrall CONCERTO FOR VIOLIN(PIANO-REDUCTION) vln,pf
    John Verrall COWHERD & THE SKYMAIDEN, THE opera for sop,alt,ten, bar,bbar,chorus,orch:1-1-1-1,1-2-0-0,perc,pf,str
    John Verrall COWHERD & THE SKYMAIDEN, THE pf,vcs
    John Verrall EUSEBIUS REMEMBERED hn, pf (or tensax,pf)
    John Verrall FANTASY VARIATIONS
    Violin, piano
    John Verrall FOUR CHARACTERISTIC PIECES
    Flute, piano
    John Verrall INTRODUCTION, VARIATIONS & ADAGIO
    Flute, oboe, piano, violin, cello
    John Verrall INVOCATION TO EOS
    Horn, piano
    John Verrall MEMORIES OF EARLIER DAYS
    Piano
    John Verrall PRELUDE
    Piano
    John Verrall PRELUDES EN SUITE
    Piano
    John Verrall PRELUDE, INTERMEZZO & FUGUE
    2 pianos
    John Verrall QUINTET FOR PIANO & STRINGS
    Piano, string quartet
    John Verrall ROSE OF THE WORLD, THE
    Soprano solo, flute, piano
    John Verrall SERENA
    Horn, piano
    John Verrall SOJOURN OF THE SPIRIT
    Medium voice, piano
    John Verrall SONATA FOR 2 PF
    2 pianos
    John Verrall SONATA for horn and piano hn,pf
    John Verrall SONATA for oboe and piano
    Oboe (or violin), piano
    John Verrall SONATA for violin and piano
    Violin, piano
    John Verrall SONATA NO.1 for viola and piano
    Viola, piano

    Additional Works