World Premiere of Lawrence Dillon’s Sanctuary, by Seattle Chamber Music Society on July 8


Jul 8 2013 - 8:00pm
Seattle Chamber Music SocietySeattle Chamber Music SocietyWorld premiere of Sanctuary, for horn, string quintet, and piano, by Lawrence Dillon, will be performed in Seattle's Nordstrom Recital Hall of Benaroya Hall, 200 University Street in Seattle, Washington, by the Seattle Chamber Music Society performers Nurit Bar-Josef, James Ehnes, Rebecca Albers, Julie Albers, Andrew Russo, Jordan Anderson, Jeffrey Fair.
Other works on the program are Beethoven’s 10 Variations on 'Ich bin der Schneider Kakadu' for Piano Trio, Op. 121a and Mozart’s Divertimento for String Trio in E-flat Major, K. 563.

Tickets for the July 8 event are $15. For more information, call 206-283-8710 or visit this link for more info/tickets.

This summer, the Seattle Chamber Music Society (SCMS) is pleased to present 12 (!) concerts programmed by Artistic Director, James Ehnes . The Summer Festival runs from June 29-July 26 and features a number of exciting ensembles, including string quartets by Shostakovitch, Tchaikovsky, Beethoven, and Barber, Stravinsky's Rite of Spring (piano, four hand version).

The composer's note:  “When Mark Twain first visited New York City, he spoke of a “domed and steepled solitude, where a stranger is lonely among a million of his race.” The first movement of Sanctuary pits overwhelming clamor against quiet introspection -- the initial tempo indication is Tranquillo vs. furioso – gradually subsiding into gently rolling harmonies.”

“Many of us have felt the seductive nature of speed (the state of motion, not the amphetamine), whether found in running shoes, in the air, in amusement park rides, on the highways. Leaving the rest of the world in a blur enables us to find, if only briefly, a sense of repose and wonder. The second movement, Winged Sandals, celebrates speed in a scherzo named for the conveyance favored by Mercury, the swift messenger god of ancient Rome.”

“Scents and Recollection traces the path from sensory experience to memory, so lovingly described by Proust in À la recherche du temps perdu. A single note blossoms into a many-voiced aria from a bygone era, leading to the peaceful, rocking harmonies that concluded the first movement.”

“All life ends, but life itself endures. As we ponder our individual fates, we can’t help but seek reassurance in the consistent rhythms coursing through the vessels of our mortality. A Reliable Pulse finds refuge from darkest fears in the steady but fragile patterns of life: a beating heart, an exuberant dance.” See a video of Lawrence Dillon speaking about the new work at