Thomas L. Read


Thomas L. Read, noted composer and violinist, is Professor Emeritus at the University of Vermont. Born in Erie, Pennsylvania in 1938, he studied violin, composition and conducting at the Oberlin, Mozarteum, New England and Peabody Conservatories with such noted musicians as Andor Toth Sr., Richard Burgin, Bernhard Paumgartner, Leon Fleisher, and Benjamin Lees. As violinist he has been a member of the Erie Philharmonic, Baltimore Symphony, Boston Festival Arts (under Harold Farberman), Vermont Symphony and the Saratoga Festival of Baroque Music. He joined the faculty of the University of Vermont in 1967, becoming Professor Emeritus in 2008. During his more than 40 years on the faculty he taught countless students, conducted and coached many concerts and musical theater productions, and led an innovative series of new music concerts and lectures (Symposium on Contemporary Music, held annually from1968 until 1991).He remains active as a violinist and conductor as well as a composer. He has written music for a variety of media- much of it on commission: music for small ensembles, full orchestra including two symphonies, solo voice, chorus and musical theater. Working with many performers and venues, his music has been heard live and through radio broadcasts across the U.S. and in various European cities from London to Sofia. He has been a recipient of Vermont Arts Council and University Stipends, UVM Faculty Emeritus Development Award, and  fellowships from organizations such as the McDowell Colony, the Charles Ives Institute, and the Johnson Composers Conference.   A complete repertoire and recording list is at

Over the past three decades he has created a body of music that projects a consistent and distinctive personal style while embracing a variety of New Music idioms and techniques. Critics, while noting its lyrical qualities, have called his music "substantive and meticulously planned, with a wide expressive range leaving a feeling of rich satisfaction." His seemingly free lyrical forms are the outcome of "compositional strategies that engender multidimensional and fascinatingly equivocal emotional states."
Working with many performers and venues, his music has been heard live and through radio broadcasts across the U.S. and in various European cities including London, Amsterdam, Salzburg and Sofia. Stations that have featured his music include WGBH, WCBR, WBUR in Boston, KGNU in Boulder Colorado, WVPR and WGDR in Vermont. Organizations and performers who have commissioned and premiered his music include The Vermont Symphony Orchestra, The Vermont Friends of Music, The Barbican Centre, The Social Band, The Vermont Youth Orchestra, Ukrainian String Quartet, The New England Conservatory Alumni Association,  Sage City Symphony, Royall Tyler Theatre and University Players, The Pittsburgh New Music Ensemble, Vermont Contemporary Music Ensemble, North/South Consonance,  Cathedral of St. Paul in Burlington, the Raphael Piano Trio, Craftsbury Chamber Players, Bertram Turetzky, Dona Amato, Carson Cooman, Mark Nelson, Pam Guidetti, Marge and Richard Veleta, Michael Arnowitt, Neil Boyer, David Cowley, C. Robert Wigness, Paul Orgel, and many others.


ACE Publications

135 title(s)
Thomas L. Read Two Pieces for Guitar Sextet 6 Guitars
Thomas L. Read String Quartet No. 6: "The Gyres" String Quartet
Thomas L. Read Light After Light Clarinet, Violin, Cello, and Piano
Various - Collections and Anthologies, Frederic Goossen, Martin Boykan, Gilbert Galindo, Thomas L. Read Twenty-First Century Sonatas for Viola and Piano Viola and Piano
Thomas L. Read Brillenbass for Tuba, Celesta, and Tom-Toms Tuba, Celesta, and Four Tom-Toms
Thomas L. Read Tales From a Virtual World Solo Guitar
Thomas L. Read Suite of Dances, Marches and Songs (Without Words) Chamber (Theater) Orchestra
2(2+picc)0101(asax/bsax) - 1110 - perc, gtr(+egtr), ebass, hp, pno, acc(+epno) - strings
Thomas L. Read Sonata for Viola and Piano Viola and Piano
Various - Collections and Anthologies, Thomas L. Read, Francine Trester, Aaron Larget-Caplan, John D. McDonald NIGHTS TRANSFIGURED 15 SOLOS FOR CLASSICAL GUITAR solo guitar
Thomas L. Read WELCOME INTRUSION Solo Cello
Thomas L. Read Three Fantasies for Four Violins Four Violins
Mz Sop, cl, vn, vc
Thomas L. Read Fantasy Concertante Flute, Clarinet, Violin, Cello, and Piano
Thomas L. Read DIFFERENCES OF CONDITION Clarinet, Violin, Viola, and Cello
Thomas L. Read String Quartet No. 5 string quartet
Thomas L. Read CONCERTO FOR OBOE AND STRINGS oboe, strings
Thomas L. Read ISOCHRONISMS NO.2 (string quintet or string orchestra) str 5tet: 2111 OR str orch
str qnt or str orch
Thomas L. Read Prevailing Winds Woodwind Quintet
Thomas L. Read Travelers Frolic Viola and Guitar
Thomas L. Read ON OCTOBER GROUND Flute ad lib, two oboes, two horns (F), strings
Thomas L. Read PIANO TRIO NO. 1: VARIATIONS Violin, Cello, and Piano
Thomas L. Read PIANO TRIO No. 2 Violin, Cello, and Piano
Thomas L. Read CARTOGRAPHY for violin and guitar violin and guitar
Thomas L. Read NEIGHBORS: Impromptu for Clarinet and Piano Clarinet and Piano

Additional Works

With Turnbridge Music Corp:

Brahms Fantasy - for violin and piano
Contraries - for handbell choir
Light After Light - for clarinet, violin, cello, and piano
Watch in the Night - for two clarinet and piano

With C.F. Peters:

Corrente - for oboe, clarinet, and bassoon
Naming the Changes - for soprano and ensemble
Solo Music for Clarinet
Suite for Solo Violin
Sunrise Fable - 
for narrators and orchestra