Blue Oblivion

Blue Oblivion

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Scoring & Instrumentation
3 Pianos, Celesta, and 6 Percussion
Alternate Title

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Year Authored (or revised)
Duration (min)
14
Movements

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Files & Media

Audio

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Video

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Sample Pages

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Detail

Description

Composer's Note:

Blue Oblivion was written in the spring and summer of 2019. The title comes from the poem, Mid-Ocean by the American writer, William Rose Benét (1886-1950.) The work describes a trip across the ocean by ship. The last stanza reads:

Never was I so at peace, never so afraid.
Like the timeless time it was before the world was made.
Blue oblivion, largely lit, smiled and smiled at me, —
Atom in the void, on the Western Sea!

The poem took on deep meaning for me. My family was dealing with significant challenges but there was a moment of calmness despite lingering trepidation of what the future may hold. The piece fluctuates between moments of frantic turmoil to a sense of peacefulness, concluding with a slow, serene and unending march into the unknown.

Comments

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First Perfomance
Lugano Percussion Ensemble, Rostock, Germany, November 17, 2021
Recording

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Text Language - Non English

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Text Source/Author

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Title Number
Ensemble Type
percussion featured
Genre/Theme

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Instrument
piano , Percussion , celesta
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$34.50 full score
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