Bülent Arel (b. Istanbul, April 23, 1919; d. Stony Brook, New York, November 24, 1990) was a Turkish-born composer of contemporary classical music and electronic music. He studied composition at the Ankara Conservatory and sound engineering in Paris. He later taught at the Ankara Conservatory, established the Helikon Society of Contemporary Arts, and served as the first music director of Radio Ankara from 1951 to 1959. He was also a painter and sculptor, and several of his works are in the permanent collection of the Turkish National Gallery.
In 1959, the Rockefeller Foundation invited him to work at the Columbia-Princeton Electronic Music Center. In 1962, he worked with Edgard Varèse on the electronic sections of Varèse's Deserts.
He also designed and installed the electronic music laboratory at Yale University, where he taught from 1961 to 1970, and he established the electronic music program at the State University of New York at Stony Brook, where he taught from 1971 until his retirement in 1989. Besides electronic works, Mr. Arel wrote chamber music, vocal works, and symphonic pieces, including a series of works commissioned by the Mimi Garrard Dance Theater.
In the course of his work he invented the 'splicing tape dispenser', as well as other devices for tape handling. He was a pioneer of looping techniques. His notable students include Daria Semegen, Conrad Cummings, Jing Jing Luo, Joël-François Durand, and Frederick Bianchi. In later life Arel lived in East Setauket, New York.
|Bülent Arel||FOR VIOLIN AND PIANO||
|Bülent Arel||INTERRUPTED PRELUDES,for organ||
|Bülent Arel||MASQUES, Suite of Antique Dances||
ww: 2-2-2-2; str: 2-1-1-1
|Bülent Arel||MUSIC FOR A SACRED SERVICE||
|Bülent Arel||SHORT PIECE FOR ORCHESTRA||orch: 3-2-2-2; 4-2-3-0; timp, 2perc; pf; str
|Bülent Arel||SUITE OF MASQUES||ww: 2-2-2-2,str.orch
|Bülent Arel||THEME AND SEVEN VARIATIONS||