Beth Wiemann was raised in Burlington, VT and studied composition and clarinet at Oberlin College and Princeton University. Her works have been performed by the New York New Music Ensemble, Continuum, Ensemble 21, Earplay, the Motion Ensemble, Opera Vista, saxophonist John Sampen, singers Paul Hillier, Susan Narucki, D'Anna Fortunato, and others. Her compositions have won awards from Copland House, the Orvis Foundation, Colorado New Music Festival, American Women Composers, and Marimolin as well as various arts councils, and have been featured on the Capstone, Americus, innova and Albany record labels. She teaches composition and clarinet at the University of Maine.
Beth's works with video here.
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ACE Publications
Composer | Title | SCORING/INSTRUMENTATION | Year | |
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Beth Wiemann | BASIA NOVA | Bassoon, Horn, and Piano
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Beth Wiemann | CANOPY | clarinet in A, viola, piano
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Beth Wiemann | CHIMES AND MISDEMEANORS | Piano and Pre-Recorded Electronic Sound
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Beth Wiemann | CONCERTANTE II (Clarinet and piano) | Clarinet and Piano
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Beth Wiemann | DIVIDEND | Mezzo-Soprano, Flute, Clarinet, and Piano
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Beth Wiemann | For Elliott | clarinet
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Beth Wiemann | LATE SPRING | String Orchestra
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Beth Wiemann | MAKE GOOD TIME | bass clarinet and marimba
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Beth Wiemann | SETTING FOR SHUSAKO ENDO | Flute, Oboe, Clarinet, Horn, Bassoon, and Piano
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Beth Wiemann | SIRENS, for Wind Ensemble |
wind ens: 1-0-3-bcl-3sax-0; 3cor-1tpt-3hn- 2tbn-1tba; perc(2), pf |
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Beth Wiemann | SONGS WITHOUT WORDS | Soprano, Oboe, Bassoon, Cello, and Piano
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Beth Wiemann | Tuesday in the Dark | 2121 2220 perc, str
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