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The Processional is based on the sarabande — a slow, stately Baroque dance in triple meter, one of the standard movements of the Baroque suite — and carries that dance's characteristic emphasis on the second beat of the bar throughout.\u003c\/p\u003e\n\u003cp\u003eThe closing Recessional, marked fortissimo throughout, evokes the Sephardic Sabbath song \u003cem\u003eKi Eshmera Shabbat\u003c\/em\u003e — a twelfth-century table hymn by Abraham ibn Ezra celebrating the Sabbath as a day of rest and delight, of festive food and wine and of joy rather than mourning, kept as \"an eternal sign\" between God and Israel — capturing the character and quality of that melody without exactly duplicating the original tune.\u003c\/p\u003e\n\u003cp\u003eNew 2026 engraved edition from 1993 original manuscript courtesy of Michael Golzmane.\u003c\/p\u003e","brand":"Robert Stern","offers":[{"title":"Physical","offer_id":67655863271644,"sku":"ACA-STER-020","price":36.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":67655863304412,"sku":"ACA-STER-020e","price":29.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/PagesfromStern_WeddingMusic-Fullscore_Page_1.jpg?v=1791392213"},{"product_id":"wedding-music-for-piano","title":"Wedding Music for Piano","description":"\u003cp\u003e\u003cstrong\u003eArranger's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a solo piano arrangement of Robert Stern's \u003cem\u003eWedding Music\u003c\/em\u003e, originally scored for flute, cello, and harp. The arrangement was made by Michael David Golzmane, the editor of Robert Stern's music for the American Composers Alliance, and is dedicated to Michela Eckhouse and Dan Whelan on the occasion of their wedding in October 2026. Michela is the daughter of Noah Eckhouse and Catherine Popper, for whose 1993 wedding — in Macon, Georgia — Stern originally composed the work; the same music now returns for their daughter's wedding a generation later.\u003c\/p\u003e\n\u003cp\u003eThe first and third movements, the Processional and Recessional, are original to this piece. The central movement, \"Al Tifg'i Vi,\" is also Stern's own music, but did not begin life in this piece. It began as a recitative in his 1986 cantata \u003cem\u003eA Rushing of New Waters\u003c\/em\u003e (published by the American Composers Alliance) — scored for women's chorus, soprano solo, piano, narrator, and optional bells, on a text drawn from the Book of Ruth by the composer and his wife, Judith Glaser. Stern later arranged the recitative as a song for soprano and piano, \"Al Tifg'i Vi,\" written for his University of Massachusetts colleague, the soprano Paulina Stark, and placed it first in his cycle \u003cem\u003eThree Hebrew Songs\u003c\/em\u003e (also published by the American Composers Alliance). Here it is arranged again, now for flute, cello, and harp.\u003c\/p\u003e\n\u003cp\u003eThe textual basis for the movement is Ruth's declaration in Ruth 1:16, spoken to her mother-in-law Naomi as Naomi prepares to return from Moab to Bethlehem: \"Entreat me not to leave you… where you go I will go… your people shall be my people, and your God my God.\" This passage is frequently used at weddings as a statement of commitment and devotion. The Processional is based on the sarabande — a slow, stately Baroque dance in triple meter, one of the standard movements of the Baroque suite — and carries that dance's characteristic emphasis on the second beat of the bar throughout.\u003c\/p\u003e\n\u003cp\u003eThe closing Recessional, marked fortissimo throughout, evokes the Sephardic Sabbath song \u003cem\u003eKi Eshmera Shabbat\u003c\/em\u003e — a twelfth-century table hymn by Abraham ibn Ezra celebrating the Sabbath as a day of rest and delight, of festive food and wine and of joy rather than mourning, kept as \"an eternal sign\" between God and Israel — capturing the character and quality of that melody without exactly duplicating the original tune.\u003c\/p\u003e\n\u003cp\u003eNew 2026 engraved edition from 1993 original manuscript courtesy of Michael Golzmane.\u003c\/p\u003e","brand":"Robert Stern","offers":[{"title":"Physical","offer_id":67655870906588,"sku":"ACA-STER-021","price":18.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":67655870939356,"sku":"ACA-STER-021e","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/PagesfromStern_WeddingMusicforPiano_Page_1.jpg?v=1791393260"},{"product_id":"sleep-and-dream-aria","title":"Sleep and Dream (Aria)","description":"\u003cp\u003eAria from Thérèse Raquin: Act I, Scene I.\u003c\/p\u003e","brand":"American Composers Alliance","offers":[{"title":"Physical","offer_id":67661071515868,"sku":"ACA-OLDK-006","price":12.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":67661071548636,"sku":"ACA-OLDK-006e","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-OLDK-006eOldham_SleepandDreamAria_Page_1.jpg?v=1791477389"},{"product_id":"symphony-no-1-for-organ","title":"Symphony No. 1 for Organ","description":"\u003cp\u003eOp. 10. Movements are dedicated to Marjory Klein, Mark Tollefson, and Thomas Lee Hanson.\u003c\/p\u003e","brand":"American Composers Alliance","offers":[{"title":"Physical","offer_id":67661075611868,"sku":"ACA-OLDK-005","price":33.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":67661075644636,"sku":"ACA-OLDK-005e","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-OLDK-005eOldham_OrganSymphony_Page_1_fd9f4ebc-4077-4129-ba7b-de2f3241d785.jpg?v=1791477816"},{"product_id":"chai-variations-for-quartet","title":"Chai Variations for Quartet","description":"\u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eChai Variations on Eliahu HaNavi\u003c\/em\u003e was inspired by the folk song\u003cem\u003e Eliahu HaNavi (Elijah the Prophet)\u003c\/em\u003e, often sung during the closing service of the Jewish Sabbath. The letters of “Chai,” which means “life” or “living” in Hebrew, symbolically stand for the number 18; hence, 18 variations, which are flanked by two versions of the theme. Other than the themes, I decided to give the performer(s) a choice regarding the ordering of the variations as a reflection of my sense of performance as a collaboration between performer and composer (and, for that matter, listener). It also reflects a dynamic conception of musical form. This means that there are 18! Or 6,402,373,705,728,000 possible orderings! I composed this piece while in residence at Brahmshaus in Baden-Baden during the summer of 1995. Originally scored for solo piano, \u003cem\u003eChai Variations on Eliahu HaNavi\u003c\/em\u003e has been recorded by new music champion Mary Kathleen Ernst on her album \u003cem\u003eKeeping Time\u003c\/em\u003e, and by the distinguished pianist Nathan Carterette on his \u003cem\u003ePoets of the Piano – Acts of Faith\u003c\/em\u003e album. Both are also available on multiple streaming services. I decided to create a version for String Quartet as I thought the timbres of the ensemble would create a fascinating timbral interplay, shining a different light through their interplay of voices.\u003c\/p\u003e","brand":"Judith Shatin","offers":[{"title":"Physical - Single Score","offer_id":67661088653532,"sku":"ACA-SHAJ-056","price":34.0,"currency_code":"USD","in_stock":true},{"title":"Physical - Set of Four Scores","offer_id":67661098057948,"sku":"ACA-SHAJ-056 [4 copies]","price":100.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":67661088686300,"sku":"ACA-SHAJ-056e","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-SHAJ-056eChaiVariations_StrQt__Page_1.jpg?v=1791478186"},{"product_id":"inner-beauty-elegy-for-boppateetoes","title":"Inner Beauty: Elegy for Boppateetoes","description":"\u003cp\u003eDedicated to the memory of Anthony Gregory Hardesty.\u003c\/p\u003e\n\u003cp\u003eSupplemental melodies for non-improvisers are included in the solo parts.\u003c\/p\u003e","brand":"Earl Louis Stewart","offers":[{"title":"Physical - Full Score","offer_id":67667054428380,"sku":"ACA-STEA-063s","price":18.0,"currency_code":"USD","in_stock":true},{"title":"Physical - Set of Parts","offer_id":67667054461148,"sku":"ACA-STEA-063p","price":50.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF) - Full Score","offer_id":67667054493916,"sku":"ACA-STEA-063se","price":15.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF) - Set of Parts","offer_id":67667054526684,"sku":"ACA-STEA-063pe","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-063seStewartE_InnerBeauty_Page_1.jpg?v=1791548677"},{"product_id":"nostalgia","title":"Nostalgia","description":"\u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThree short pieces of similar character that breathe the air of nostalgia.\u003c\/p\u003e","brand":"Dana Richardson","offers":[{"title":"Physical","offer_id":67763877970140,"sku":"ACA-RICH-108","price":52.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":67763878002908,"sku":"ACA-RICH-108e","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/9x12ASCAP-2022Newcover_c5ca7b2a-fbd3-49a6-bbe4-20c99fbcbe12.jpg?v=1792090186"},{"product_id":"feeder-frenzy","title":"Feeder Frenzy","description":"\u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the morning I have my coffee in an alcove that looks out over my (tiny) backyard, and I watch the birds at a feeder hanging from a tree a few feet away. The device is a thin rectangular column, with six perches [designed to be squirrel-proof; in fact this one--after much research--does seem to live up  to the claim]. Flocks of birds come eagerly, at first a few at a time, then in  swarms wherein if one is feeding, another is nearby fluttering ready to take its place, ad infinitum (at least until the seeds are gone). Towards the end of a cycle, the flow of birds can become a small cyclone...then peter out as quickly.\u003c\/p\u003e\n\u003cp\u003eI've been fascinated by the rhythms and patterns of these feedings, and eventually it became clear they were a wonderful stimulus for a musical translation. This short work is an evocation of and tribute to this avian energy and precision.\u003c\/p\u003e","brand":"Robert Carl","offers":[{"title":"Physical","offer_id":67767383032028,"sku":"ACA-CARL-161","price":37.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":67767383064796,"sku":"ACA-CARL-161e","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/PagesfromCarl_FeederFrenzy-Score-2.jpg?v=1792093693"},{"product_id":"suite-from-interstition","title":"Suite from 'Interstition'","description":"\u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe music from this suite derives from the album of piano improvisation, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eInterstition\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, which I released on April 18, 2025, the tracks for which I recorded in the Summer of 2015.  The album is about interconnectivity, inspired by the writings of novelist Sophie Strand and the mycologist Merlin Sheldrake.  It is also about interconnectedness as represented in Buddhist philosophy, a theme I have explored in other of my works including a portrait of the Buddhist metaphor for interconnectivity, Indra’s Net, in my \u003c\/span\u003e\u003ci\u003eViolin Concerto\u003c\/i\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eI am, as a rule, not someone who seeks out or necessarily enjoys working with others, so the concept of interconnectivity serves to remind me of the impossibility of existing by myself.  Though I have pondered it for several years, it was not until I recently encountered a description by the eloquent Buddhist master, Thich Nhat Hanh, that I considered extending this connection to all beings in the past, present, \u003c\/span\u003e\u003ci\u003e\u003cb\u003eand future\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e! The realization of multi-dimensional interconnectivity had a profound effect on me. The inclusion of the third movement, \u003c\/span\u003e\u003cb\u003e\u003ci\u003ePhantoms\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, in the set, which is haunted by the \u003c\/span\u003e\u003ci\u003eBrahms Waltz in Ab, Op. 39, No. 15\u003c\/i\u003e\u003cspan\u003e, exemplifies this connection through time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe suite is moody and impassioned, ethereal at times, and notably interconnected. The first, third, and fifth movements are more meaty while the second and fourth movements are connecting interludes.  In a suite devoted to connection, I felt it quite appropriate to have two interludes. The first movement, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eRumination\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, ponders the nearly unfathomable depth of the cumulative interconnected hive-mind.  The roiling mass of conflicting ideas and opinions all merge into a beautifully balanced whole.  The final movement, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eEntanglement\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, conveys the emotional rollercoaster of having one’s existence being continually defined by context, and at last swallowed by the peaceful and fulfilling obscurity of coexistence.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere is quite a bit of shared melodic material between the different pieces.  The improvisational process tends to lend a familiarity to all of my music conceived in this way.  In a sense, I think of my piano pieces as all being variations on a theme of me.  There seems to be a collection of thematic material that keeps getting reshuffled and expressed in different ways.  My music for other instruments is often further adapted and reimagined, but the piano music, being closer to the original improvisation, retains this characteristic.  \u003c\/span\u003e\u003cb\u003e\u003ci\u003eSuite from Interstition\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e was completed in the Fall of 2026 in my home south of Ash Fork, AZ.\u003c\/span\u003e\u003c\/p\u003e","brand":"Glenn Stallcop","offers":[{"title":"Physical","offer_id":67822444216540,"sku":"ACA-STAL-112","price":43.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":67822444249308,"sku":"ACA-STAL-112e","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/PagesfromStallcop_SuitefromInterstition_Page_1.jpg?v=1792427622"},{"product_id":"reluctance","title":"Reluctance","description":"\u003cp\u003eWritten on the AIDS-related death of Lee Gannon's partner, Tommy, in the form of a pencil manuscript dated May 4, 1995. 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It was awarded top prizes in several competitions for young composers, including the national NFMC competition.\u003c\/p\u003e","brand":"Karen Griebling","offers":[{"title":"Physical","offer_id":67903602557148,"sku":"ACA-GRIK-041","price":14.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":67903602589916,"sku":"ACA-GRIK-041e","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/Griebling_DepartureandRenascence_Page_1.jpg?v=1793017523"},{"product_id":"orchids","title":"Orchids","description":"\u003cp\u003e\"Orchids\" was composed after my first trip to Asia in 2000. I had been invited by my friend and fellow composer, John Sharpley, an American expat living in Singapore, to premier his Viola Sonata with him at a recital of all of his own music in Victoria Hall. After the event I stayed an extra week to a􀀁end a festival of World Musics in Kuching, Sarawak, on the island of Borneo, with Sharpley. It was fortuitous since I'd just been asked by Hendrix College to teach a course on world musics.\u003c\/p\u003e\n\u003cp\u003eWhen I returned to the USA I was engaged to play principal viola for Pinnacle Players, a conductorless chamber orchestra modeled on the Orpheus Ensemble, based in Little Rock. Its founders included the six people - principal players from the Arkansas Symphony - for whom I composed Asian Souvenirs, and who premiered the work on one of the Pinnacle Players series concerts.\u003c\/p\u003e\n\u003cp\u003eCarolyn Brown, as principal flutist, had been written up as one of the ten best things about Arkansas at around the same time. With her DMA from Eastman, she is a friend and colleague and carpool buddy to ASO gigs, since she lives in Conway and, at the time, taught in the local universities and college. So, I singled her out in both the Sri Krishnan Temple movement and in Orchids. Krishna is often portrayed playing flute, so that was obvious, and I actually a􀀁ended Krishna's Birthday at that temple in Singapore during my visit! John and his partner, Raj, met my flight at the Singapore airport with a huge bouquet of orchids before taking me to my hotel. Next day when we began rehearsing, I noticed they had sprays of them all through his home, and that they grew everywhere \"wild\" in Singapore. Their elegance and color seemed to go hand in hand with Carolyn's rich golden tone, and the sprays of orchids (not single stalks like you find in grocery stores in the United States) with their twisting branches, gave me the contours of the theme for this Orchids movement.\u003c\/p\u003e","brand":"Karen Griebling","offers":[{"title":"Physical","offer_id":67903615500508,"sku":"ACA-GRIK-040","price":13.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":67903615533276,"sku":"ACA-GRIK-040e","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-GRIK-040eGriebling_OrchidsforAltoFlute_Page_1.jpg?v=1793017711"},{"product_id":"persistence-of-melody","title":"Persistence of Melody","description":"\u003cp\u003ePersistence of Melody, is inspired by a belief that a memorable melody or motif is an essential to a piece of music and Salvador Dali’s painting, Persistence of Memory. The dripping clocks, depicted by glissandi and a “tick tock” musical motif becomes twisted and warped as the movement progresses. The second movement is inspired by a lesser-known work by Dali, The Red Orchestra. A figure reminiscent of the famous Spanish cellist, Pablo Casals, bends over a cello shaped as a woman. The grand piano that makes a reference to a bull and the matador’s cape. 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