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Originally written for Native American flute, and thus based on the natural pentatonic scale of that instrument, the visual image for the listener can be of awaking before dawn and watching the sun rise from one's dwelling in the wilderness, gradually illuminating the landscape and bringing out its natural colors and beauty. The challenging cello part can be heard as an ever-flowing stream, pausing only for the flute's cadenza at the close of the piece.\u003c\/p\u003e","brand":"Marilyn Bliss","offers":[{"title":"Physical","offer_id":45479265435868,"sku":"ACA-BLIS-021","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45479265468636,"sku":"ACA-BLIS-021e","price":12.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-BLIS-021e_Page_1.jpg?v=1723216230"},{"product_id":"borroff-five-whitman-songs","title":"Five Whitman Songs","description":"\u003cp\u003e\u003cstrong\u003eNote from the composer:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1989 I was asked to compose a group of songs on poems by Walt Whitman. 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It was an easy step to conceive of a work that would take its departure from historical context: that of the slave life of the nineteenth century, together with freedom, as those who experienced it remembered it in interviews, letters, and other documents. The compilation of such documents from nineteenth-century women was in fact my current reading: \"We Are Your Sisters: Black Women in the Nineteenth Century\", edited by Dorothy Sterling. The voices of these women seemed so eloquent, and the subject so compelling, that I chose that historical context for the choral work.\u003c\/p\u003e\n\u003cp\u003eI turned to the past also for the musical basis operandi: to the Black shout and spiritual for part of the material, and to the seventeenth-century concept of \"tone\" for other parts. \"Tone\" was a transitional theory that bridged the considerable distance between \"mode\" and \"key.\" Of course, a composer rethinks such concepts in putting them to use in another era, and although the principle is the same, I used it differently. In brief, it is the concept of tone as materials related to a scale, major or minor, in which the functions inhere as individual tones, without reference to key--notably omitting the defining role of upper and lower dominants. This concept allows for use of the scale materials of a key without the functions of the key. 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The composition was composed for and is dedicated to Thomas Stumpf, who gave the first performance on Sunday, April 11, 1982 in Jordan Hall at the New England Conservatory. The form is a series of twenty variations on the opening theme. As the variations on proceed the groupings and allusions to past variations come clear. 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Admittedly, composers such as Bela Bartok, Gyorgy Ligeti, and George Crumb have made much progress in the use of instruments and instrumentation. However, apart from some accepted new ways of employing instruments, a romantic size orchestra in the twentieth century still sounds, to my ears, like a romantic size orchestra.\u003cbr\u003e\u003cbr\u003eI felt that trying to change this fact was a bit like trying to alter the universe, so instead of attempting to invent a \"new\" sound, I aimed to highlight the similarity of acoustic sounds between twentieth century and late romantic material (keep in mind this work was written in the last century!!)\u003cbr\u003e\u003cbr\u003eThe work is an ABA1 structure, the first section being, to my knowledge, an invention of my own: namely, \"Pan tonal Phase Music.\" This section uses antiphonal orchestral choirs and alternating pulses (similarly employed in Steve Reich's The Desert Music) but with non-centered sound instead of diatonicism. After a climax, this is contrasted by an example of Ligeti's micropolyphony (as employed in Atmospheres) and then is contrasted by a pastiche of Gustav Mahler (the B section). Mahler is then parodied through interruptions, truncation, excessive silences and exaggerated increases in tempo.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003eThe pastiche fades into a quotation from Mahler's 5th symphony, Brahms' 4th symphony, Beethoven's 7th, Mozart's 39th, and Haydn's 104th, one after the other, similar to the splicing effect in analog tape music (and further highlighting the similarity in orchestral timbre over the centuries).\u003cbr\u003e\u003cbr\u003eThis is not the first occurrence of this material. The harmonies that are employed against the pulsating string figures in the A section are mostly derived from the Mahler 5th symphony extract, although there are also occurrences derived from the quotations as well. All the quoted material in the A section is unrecognizable. 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Winner of 1981 the Shreveport (LA) Orchestra Competition.\u003c\/p\u003e","brand":"American Composers Alliance","offers":[{"title":"Physical","offer_id":45501701193948,"sku":"ACA-FENB-087","price":39.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":47445029421276,"sku":"ACA-FENB-087e","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/PagesfromFennelly_ConcertPiece-2.jpg?v=1768423657"},{"product_id":"fennelly-empirical-rag-version-5-for-mixed-quartet","title":"Empirical Rag (Version 5, for Mixed Quartet)","description":"\u003cp\u003eSophisticated ragtime, version #5 of 10, the 'Warsaw' Version arranged for the Warsaw Music Workshop (clarinet, trombone, cello, piano) under Zygmunt Krauze.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eReview (of Version 2 for Solo Piano):\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\"A delight; there's a little of Joplin, a little of Ellington, and in the B section, even a Mahler quotation.\" - Fanfare Magazine\u003c\/span\u003e\u003c\/p\u003e","brand":"American Composers Alliance","offers":[{"title":"Physical","offer_id":45501703684316,"sku":"ACA-FENB-092","price":25.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":46727317356764,"sku":"ACA-FENB-092e","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-FENB-092Fennelly_EmpiricalRagforMixedQuartet_Page_1.jpg?v=1752076271"},{"product_id":"fennelly-proud-music","title":"Proud Music","description":"\u003cp\u003eCommissioned by Union College in Schenectady, NYin commemoration of the 200th anniversary of the founding of the college\u003c\/p\u003e","brand":"American Composers Alliance","offers":[{"title":"Physical - Full Score","offer_id":45501708599516,"sku":"ACA-FENB-106s","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Physical - Choral Score","offer_id":50099866370268,"sku":"ACA-FENB-106v","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF) - Full Score","offer_id":50099866403036,"sku":"ACA-FENB-106se","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF) - Choral Score","offer_id":50099866435804,"sku":"ACA-FENB-106ve","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA_FENB-106seFennelly_PROUDMUSIC-Fullscore_Page_1.jpg?v=1776777116"},{"product_id":"fennelly-thoreau-fantasy-no-2-for-orchestra-ambrosial-mornings-1984-85","title":"Thoreau Fantasy No. 2 for Orchestra (Ambrosial Mornings)","description":"\u003cp\u003eA second colorful orchestral fantasy after Henry David Thoreau (following 'In Wildness is the Preservation of the World' of 1975), commissioned by the Hudson Valley Philharmonic and the NEA.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProgram note from the composer:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThoreau Fantasy No. 2\u003c\/em\u003e relates more to the spirit of Thoreau's words rather than being a programmatic transformation of them; however, in the course of the work certain parallels can be drawn. The opening \u003cem\u003eMisterioso\u003c\/em\u003e (\"Daybreak\") is followed by the principal thematic argument, presented within a textural \"haze\". This is followed by commentaries highlighting first the strings, then the woodwinds, then the brass. An extended transition (\"Pastorale\") leads to a series of playful scherzo sections alternating with energetic canonic passages, which form the climax of the work. \"Echo\" canons and a transition lead to the reprise (\u003cem\u003eMisterioso\u003c\/em\u003e) and a peaceful close.\u003c\/p\u003e","brand":"American Composers Alliance","offers":[{"title":"Physical - Full Score","offer_id":45501718135004,"sku":"ACA-FENB-112s","price":147.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF) - Full Score","offer_id":47874936439004,"sku":"ACA-FENB-112se","price":118.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-FENB-112sFennelly_ThoreauFantasyNo.2-Score11x17_Page_1.jpg?v=1773002791"},{"product_id":"fennelly-triple-play-trio-no-1-for-violin-cello-and-piano","title":"Triple Play (Trio No. 1 for Violin, Cello, and Piano)","description":"\u003cp\u003eA vibrant, expressive, and challenging work in several interconnected sections written for the Arios Trio.\u003c\/p\u003e","brand":"American Composers Alliance","offers":[{"title":"Physical","offer_id":45501718888668,"sku":"ACA-FENB-115","price":36.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":46934776643804,"sku":"ACA-FENB-115e","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/PagesfromFennelly_TriplePlay_Page_1.jpg?v=1758050136"},{"product_id":"fennelly-tropes-and-echoes-for-clarinet-and-chamber-ensemble","title":"Tropes and Echoes for Clarinet and Chamber Ensemble","description":"\u003cp\u003eA work featuring brilliant writing for the solo clarinet, backed by colorful responses from the ensemble.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eAn arrangement of \u003ca href=\"https:\/\/composers.com\/products\/fennelly-tropes-and-echoes-for-clarinet-and-orchestra\" target=\"_blank\" rel=\"noopener\"\u003eTROPES AND ECHOES for clarinet and orchestra\u003c\/a\u003e, which is based on \u003ca href=\"https:\/\/composers.com\/products\/fennelly-tesserae-vii-for-solo-clarinet\" target=\"_blank\" rel=\"noopener\"\u003eTESSERAE VII for solo clarinet\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"American Composers Alliance","offers":[{"title":"Physical - Full Score","offer_id":45501718921436,"sku":"ACA-FENB-116s","price":67.0,"currency_code":"USD","in_stock":true},{"title":"Physical - Parts","offer_id":50100189331676,"sku":"ACA-FENB-116p","price":120.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF) - Full Score","offer_id":50100189364444,"sku":"ACA-FENB-116se","price":55.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF) - Parts","offer_id":50100189397212,"sku":"ACA-FENB-116pe","price":64.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-FENB-116seFennelly_TropesandEchoesChamber-FullScore_Page_1.jpg?v=1776777682"},{"product_id":"gannon-nashville-lower-broad","title":"Nashville, Lower Broad","description":"\u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNashville, Lower Broad\u003c\/em\u003e refers to an area of Broadway in Nashville, Tennessee. It is a street which runs down a steep hill to the Cumberland River and is lined with many small \"honky-tonks\" where many young singers have tried to start a career in Country music. Though there are no references to Country music in this work, there are references to two particular landmarks that draw the boundary of this area of town. At the top of the hill is the First Baptist Church which is represented by the hymn \"Jesus Lover of My Soul\". At the bottom of the hill is the Silver Dollar Saloon which is represented by a rag-like section. In between, are the more colorful bars and hangouts which are expressed using some highly chromatic materials including several themes which are very \"sly\" and \"slimy\" in nature. This work was first written in 1983 and revised in 1993.\u003c\/p\u003e","brand":"Lee Gannon","offers":[{"title":"Physical","offer_id":45518122189020,"sku":"ACA-GANL-008","price":34.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45518122221788,"sku":"ACA-GANL-008e","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-GANL-008eGannon_NashvilleLowerBroad-Score_Page_1.jpg?v=1779563911"},{"product_id":"gideon-lyric-piece-for-string-orchestra","title":"LYRIC PIECE (for string orchestra)","description":"","brand":"American Composers Alliance","offers":[{"title":"Physical - score","offer_id":45518130839772,"sku":"ACA-GIDM-018s","price":36.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF) - score","offer_id":46653989945564,"sku":"ACA-GIDM-018se","price":26.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF) set of 5 parts","offer_id":46653991059676,"sku":"ACA-GIDM-018pe","price":49.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/Pages_from_Gideon_LyricPiece_Page_1.jpg?v=1750310569"},{"product_id":"greenberg-quartet","title":"Quartet","description":"","brand":"Laura Greenberg","offers":[{"title":"Physical","offer_id":45518160003292,"sku":"ACA-GREL-012","price":34.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":48245640429788,"sku":"ACA-GREL-012e","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-GREL-012eGreenberg_Quartet-Score_Page_1.jpg?v=1773955706"},{"product_id":"margetson-caribbean-string-quartet","title":"Caribbean String Quartet","description":"","brand":"American Composers Alliance","offers":[{"title":"Digital (PDF)","offer_id":45518224195804,"sku":"ACA-MARG-001e","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/Margetson-CaribbeanStringQuartet_Page_1.jpg?v=1741535960"},{"product_id":"hibbard-one-round-and-another-one","title":"ONE ROUND... 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The cello then enters announcing the principal theme, which is characterized by a three-tone motive. The theme represents the human spirit longing to be free. The chordal and rhythmic structure form a pattern which embodies a force which intensifies the despair. Deliverance is marked Allegro. The cello begins this movement alone. The theme is based on the same three-note motive of the Dirge, however the character is darker. The spirit is fighting to be free. The piano engages in a struggle with the cello. The cello suddenly plays alone again in an extended cadenza which alternates between rage and hope. Reflectively, the cello plays quiet harmonics and is joined by the piano. The resolve has become calm. 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To a large extent he has preserved the cadences of Twain's vernacular speech. He has frequently kept the orchestra subservient, so that the text comes through clearly. Where the vocal line is elaborate there is often apparent justification—in the case of Miss Watson, with her high‐flown notions of right and wrong, or in the case of Huck himself in his dreamier, more romantic sentiments. ... it is significant that the best music is the simplest, that given to Jim, and it is the most eloquent.\u003c\/span\u003e\u003c\/p\u003e","brand":"Hall Overton","offers":[{"title":"Default Title","offer_id":46861280182492,"sku":"ACA-OVTN-012","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/pianopartp2.jpg?v=1756183331"},{"product_id":"owens-homage-to-corelli","title":"Homage to Corelli","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eHomage To Corelli\u003c\/em\u003e is dedicated to Claire and Antoinette Cann who are presenting the World Premiere of this magnificent work.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eHomage to Corelli \u003c\/em\u003ewas inspired by Terry Winter Owens' love of \u003cem\u003eLa Follia\u003c\/em\u003e, a set of variations by the Baroque composer Arcangelo Corelli. 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