{"title":"Stewart, Earl Louis","description":"\u003cdiv class=\"truncate-text\" style=\"display: block;\"\u003e\n\u003cp\u003eEarl Louis Stewart is a Professor Emeritus of the Department of Black Studies at the University of California Santa Barbara. He received his BS in Secondary Education from Southern University, Baton Rouge, studying under Walter Craig and the late Alvin Batiste in it Jazz Institute. He then received his MM and DMA in Composition from The University of Texas at Austin, studying with Karl Korte, Joseph Schwantner, and world-renowned author of Counterpoint (the late) Kent Kennan.\u003c\/p\u003e\n\u003cp\u003eIn addition to conducting, Dr. Stewart’s compositions have been performed by soloists Brenda Wimberly, Carolyn Sebron, and Metropolitan Opera diva Barbara Conrad; choreographer Chuck Davis; jazz artists Jullian 'Cannonball' Adderly, Alvin Batiste and Kent Jordan; and narration by actor Moses Gunn. Ensembles who have performed his music include the Southern University Chorus (Baton Rouge, Louisiana); the Southern University Jazz Orchestra; the Austin Symphony Orchestra (Texas); the Boston Orchestra and Choral (Massachusetts); the National Symphony Orchestra of Ghana (Accra, Ghana, West Africa); the National Academy of Music Chorus of Wineba (Ghana); the Scott Joplin Orchestra of Houston (Texas); the University of California Jazz Orchestra; and the Mobile Symphony Orchestra (Alabama); and members of the Louisiana Philharmonic Orchestra.\u003c\/p\u003e\n\u003cp\u003eWorks have also been performed at such venues as the Heineken Jazz Festival in Tel Aviv, Israel; Milsaps College; Dillard University (New Orleans); Saenger Theatre (Mobile, Alabama); Brooklyn Conservatory of Music (New York); The New Orleans Jazz and Heritage Festival (Louisiana); the Sixth Annual Biennial International and Symposium Festival on New Intercultural Music, University of London, Institute of Education (England); the University of New Orleans Performing Arts Center Recital Hall (Louisiana); and Weill Recital Hall at Carnegie Hall in New York.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"truncate-text more-data read-more-field--name-body\"\u003e\n\u003cp\u003eDr. Stewart is the author of African American Music: An Introduction, a musicological survey of African American music from the Civil War to the present. He has published articles on the aesthetic and theoretical significance of African American music – several of which were co-authored with Dr. Jane Duran. A sampling includes \"Towards an Aesthetic of Black Musical Expression,\" Journal of Aesthetic Education; \"Scott Joplin and the Quest for Identity,\"Journal of Aesthetic Education; \"Coleridge-Taylor: Concatenationalism and Essentialism in an Anglo-African Composer,\" American Philosophical Association Newsletter of Philosophy and the Black Experience.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","products":[{"product_id":"stewartel-afro-inventions-for-piano-book-1","title":"Afro-Inventions for Piano: Book 1","description":"\u003cp\u003eProgram Notes:\u003c\/p\u003e\n\n\u003cp\u003eComposer Earl Louis Stewart created\/introduced a new type of invention, Afro-Inventions, to his repertoire in the 1980's. The Afro-Inventions are studies for evolving pianists that are based on styles common to the African diaspora. Students will find them to be very entertaining and useful to both: (1) the development of classical piano technique; and (2) the preparation for the development of jazz piano technique and improvisation and the understanding of the nuances of jazz and jazz derived styles. In this study twelve mainstream African derived styles are featured.\u003c\/p\u003e\n\n\u003cp\u003eSymphonies, chamber works, and solo works all reflect, in a very real sense, the musical background of this composer which is the sum of the American urban folk tradition, i.e. spirituals, blues, soul music, gospel music, jazz, and folk-based African music retentions. It also reflects the classical influences of his mentors including Alvin Batiste, Gerard Behague, Kent Kennan, Karl Korte, and Joseph Schwantner.\u003c\/p\u003e\n\n\u003cp\u003eOf Note: Dr. Stewart considers the art of composition to be more than a profession, but also a spiritual exercise. Thus, he uses the word \"Identity' as a part of the title of all of his works. To him, composing affords him the opportunity to engage in his spiritual search for God.\u003c\/p\u003e","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598223401180,"sku":"ACA-STEA-001","price":48.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45598223433948,"sku":"ACA-STEA-001e","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-001e_Page_1_67f1f88f-51c2-422d-b82d-05fa82f9e467.jpg?v=1726671890"},{"product_id":"stewartel-rhythm-sonata-no-1","title":"Rhythm Sonata No. 1","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598223728860,"sku":"ACA-STEA-002","price":55.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-002_Page_1_77f6ed2a-dada-4494-9f0d-a017645201a7.jpg?v=1728609765"},{"product_id":"stewartel-song-for-annell-a-blues-fantasy","title":"Song for Annell - A Blues Fantasy","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598223892700,"sku":"ACA-STEA-003","price":14.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45598223958236,"sku":"ACA-STEA-003e","price":12.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-003e_Page_1_19928aae-da23-431e-b1dc-3af923d0ecd3.jpg?v=1726672000"},{"product_id":"stewartel-portal-the","title":"Portal, The","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598224384220,"sku":"ACA-STEA-004","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45598224416988,"sku":"ACA-STEA-004e","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-004e_Page_1_dcbabeef-31de-4b1a-805c-c5d8bbad3020.jpg?v=1726671992"},{"product_id":"stewartel-amazing-grace-for-flute-harp-and-strings","title":"Amazing Grace for Flute, Harp, and Strings","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598224646364,"sku":"ACA-STEA-005","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-005_Page_1_29dd2f45-b330-45cf-bd29-c78dd1b6aa5f.jpg?v=1728609727"},{"product_id":"stewartel-katrina-lament-identity-113","title":"Katrina Lament - Identity 113","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598224842972,"sku":"ACA-STEA-006","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45598224875740,"sku":"ACA-STEA-006e","price":21.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-006e_Page_1_b4256b70-47b6-43ae-9f2f-a52746521407.jpg?v=1726671974"},{"product_id":"stewartel-amazing-grace-for-flute-and-piano","title":"Amazing Grace for Flute and Piano","description":"\u003cp\u003eA piano reduction of Amazing Grace for Flute Solo with Harp and Strings.\u003c\/p\u003e","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598225268956,"sku":"ACA-STEA-007","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45598225301724,"sku":"ACA-STEA-007e","price":11.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-007e_Page_1_5b8d0356-2e01-4759-8e47-db98788e2bcd.jpg?v=1726671898"},{"product_id":"stewartel-corsica-for-alto-flute-and-piano","title":"Corsica (for Alto Flute and Piano)","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598225563868,"sku":"ACA-STEA-008","price":13.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45598225596636,"sku":"ACA-STEA-008e","price":10.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-008e_Page_1_3901191e-fd63-420b-8ab6-618c36329a8d.jpg?v=1726671941"},{"product_id":"stewartel-katrina-lament-identity-113b","title":"Katrina Lament - Identity 113b","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598226186460,"sku":"ACA-STEA-009","price":13.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45598226219228,"sku":"ACA-STEA-009e","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-009e_Page_1_6e97475b-af10-453d-aa7c-adce74e81f76.jpg?v=1726671982"},{"product_id":"stewartel-elegy-for-mr-alvin-batiste","title":"ELEGY FOR MR. ALVIN BATISTE","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598226481372,"sku":"ACA-STEA-010","price":14.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45598226514140,"sku":"ACA-STEA-010e","price":10.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-010e_Page_1_d2cb9c95-d288-471d-8f97-341817b1d2b2.jpg?v=1726671955"},{"product_id":"stewartel-corsica-for-viola-and-piano","title":"Corsica (for Viola and Piano)","description":"\u003cp\u003eEditor's Note:\u003c\/p\u003e\n\n\u003cp\u003eCorsica is part of a group of works by Earl Louis Stewart for solo instrument (usually flute), harp, and strings, written in the early 2000s and recorded together on the album From the Heart. They are emblematic of his lush melodies and rich, deceptive harmonies; many have cadenza-sections outlined with chords, for improvisation.\u003c\/p\u003e\n\n\u003cp\u003eHere, fifteen years later, Stewart has codeified Corsica with more detail in the score and with Stewart's own written-out improvisation. This version, for viola and piano, changes the accompaniment substantially to suit the colors of the two instruments; it is, however, still playable with the full orchestral version.\u003c\/p\u003e","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598226841820,"sku":"ACA-STEA-011","price":14.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45598226874588,"sku":"ACA-STEA-011e","price":10.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-011e_Page_1_7614aa1f-fcd9-4fef-ba3a-131271ee4aac.jpg?v=1726671949"},{"product_id":"stewartel-genesis-identity-175","title":"GENESIS - Identity 175","description":"\u003cp\u003eA Jazz Choral Symphonic Poem in Seven Movements\u003c\/p\u003e\n\n\u003cp\u003eMovement I: Day One - Darkness and the Spirit of God (3:26)\n\u003cbr\u003eMovement II: Day Two - The Firmament (6:14)\n\u003cbr\u003eMovement III: Day Three - Creation of the Earth\n\u003cbr\u003e(Parts A \u0026amp; B) (11:10)\n\u003cbr\u003eMovement IV: Day Four - Greater and Lesser Lights (2:50)\n\u003cbr\u003eMovement V: Day Five - Creatures of the Sea (5:08)\n\u003cbr\u003eMovement VI: Day Six - Creatures of the Earth (Part A) (5:00)\n\u003cbr\u003eHumanity (Parts B \u0026amp; C) (8:20)\n\u003cbr\u003eMovement VII: Day Seven - Blessed Day of Rest (8:52)\u003c\/p\u003e","brand":"Earl Louis Stewart","offers":[{"title":"Physical - Full Score","offer_id":45598227136732,"sku":"ACA-STEA-012s","price":134.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/PagesfromStewartE_Genesis-FullScore_Page_1.jpg?v=1770221688"},{"product_id":"stewartel-symphony-no-4-juneteenth-full-score","title":"Symphony No. 4: \"Juneteenth\"","description":"\u003cp\u003eThough the Emancipation Proclamation was issued by President Abraham Lincoln on September 22, 1862, and became effective January 1, 1863, it was not until June 19, 1865—two and a half years later— that the people of Texas, including 250,000 enslaved people, were informed that slavery had been abolished. This day became known as \u003ci\u003eJuneteenth\u003c\/i\u003e and is celebrated not only in Texas, but also in some form from Washington State to New York, and from Illinois to Texas.\u003c\/p\u003e\n\u003cp\u003eThe composer, Earl Louis Stewart, on traveling from Louisiana to Texas during his college years, became aware of the (now) federal holiday, which was first recognized in Texas in 1980. Stewart also participated in activities surrounding Juneteenth celebrations as a Fulbright fellow in Ghana, and through these experiences over the years, the idea for his Symphony No. 4: Juneteenth (Identity 34:1) was born.\u003c\/p\u003e\n\u003cp\u003eThis work for chorus and orchestra was written to commemorate the early 19th-century Juneteenth celebrations and is musically designed to reflect the format of those celebrations. To this extent, the work may be deemed programmatic. The composition utilizes two prominent forms of African American music in the last half of the 19th century: ragtime and spirituals.\u003c\/p\u003e","brand":"Earl Louis Stewart","offers":[{"title":"Physical - Full Score","offer_id":45598227366108,"sku":"ACA-STEA-013s","price":152.0,"currency_code":"USD","in_stock":true},{"title":"Physical - Piano-Vocal Score","offer_id":46227479036124,"sku":"ACA-STEA-013v","price":43.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-013s_Page_1_cb4c4f74-e8f0-4325-9890-60c444593667.jpg?v=1728938389"},{"product_id":"stewartel-symphony-no-4-juneteenth-choral-score","title":"Symphony No. 4: \"Juneteenth\" choral score","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598227792092,"sku":"ACA-STEA-013v","price":43.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-013v_Page_1_f9dcb93b-8bc7-48ec-9833-86ab0c387940.jpg?v=1728609775"},{"product_id":"stewartel-nakupenda-identity-19-2","title":"NAKUPENDA - Identity 19.2","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598227988700,"sku":"ACA-STEA-014","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-014_Page_1_58ee7c78-df84-4a22-9c25-fd0300e757a8.jpg?v=1728609754"},{"product_id":"stewartel-baching-the-blues","title":"Baching the Blues","description":"\u003cp\u003e\u003cstrong\u003eEditor's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe theme and variation form has remained popular for hundreds of years, and is again brought to life in Earl Louis Stewart's 2007 Baching the Blues for flute and harp with its explicit combination of baroque and blues musical tendencies. The piece consists of a theme (played by the harp alone), sixteen variations, and a finale, with the flute part suitable for advanced players. Like many of Stewart's works (and, of course, like Bach), the harp part may be played as written or expanded based on the chords presented.\u003c\/p\u003e","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598228447452,"sku":"ACA-STEA-015","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45598228480220,"sku":"ACA-STEA-015e","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-015e_Page_1_b3ba7d0b-8bfa-4ffa-9795-687dcc0dc52f.jpg?v=1726671911"},{"product_id":"stewartel-bopn-the-rag-blues","title":"Bop'n the Rag Blues","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598228676828,"sku":"ACA-STEA-016","price":17.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45598228709596,"sku":"ACA-STEA-016e","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-016e_Page_1_7cf8d6f5-4fd5-4da5-baad-8171faacfea5.jpg?v=1726671921"},{"product_id":"stewartel-undulations","title":"Undulations","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598229266652,"sku":"ACA-STEA-017s","price":14.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-017s_Page_1_128719d4-8442-43eb-8259-e15c44d163db.jpg?v=1728609796"},{"product_id":"stewartel-asante-sana-sana","title":"Asante Sana Sana","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical - Score + 7 parts","offer_id":45598229790940,"sku":"ACA-STEA-018","price":28.5,"currency_code":"USD","in_stock":true},{"title":"Physical - score only","offer_id":45899198496988,"sku":"ACA-STEA-018s","price":13.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-018s_Page_1_b73a4bb1-18d1-4d54-8522-560a365b1917.jpg?v=1728609733"},{"product_id":"stewartel-eltons-nocturne","title":"Elton's Nocturne","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical - Score","offer_id":45598230118620,"sku":"ACA-STEA-019s","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-019s_Page_1_98ed32f6-c35a-429e-a957-dc415983f99c.jpg?v=1728609747"},{"product_id":"stewartel-deep-river-ricercare","title":"Deep River (Ricercare)","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598230446300,"sku":"ACA-STEA-020","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-020_Page_1_72c835a1-7084-40be-bd1b-b835b5f545d1.jpg?v=1728609740"},{"product_id":"stewartel-three-rags-for-flute-and-piano","title":"Three Rags for Flute and Piano","description":"","brand":"Earl Louis Stewart","offers":[{"title":"Physical","offer_id":45598230937820,"sku":"ACA-STEA-021","price":18.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45598230970588,"sku":"ACA-STEA-021e","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-STEA-021e_Page_1_a2ac86ed-0e86-4c54-83f6-a96150c95313.jpg?v=1726672014"},{"product_id":"stewartel-symphony-no-5-homage-to-swing","title":"Symphony No. 5: \"Homage to Swing\"","description":"\u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSymphony No. 5: Homage to Swing\u003c\/em\u003e (Identity 158) is an exercise in the marriage between contemporary contemplative jazz and traditional western classical forms\u003c\/p\u003e\n\u003cp\u003eMovement I: Classic Swing features a traditional theme written in sonata allegro design. It is contrasted with a lively, rhythmic secondary theme.\u003c\/p\u003e\n\u003cp\u003eMovement II: Multi-Cultural Fugue traverses many styles while maintaining the same beat. It opens with a non-syncopated exposition, which progresses to a Bossa Nova, a ragtime, a swing, a salsa, back to a swing, to a lively African ngoma (an African dance in an East African Mbira style), and a final swing. The movement closes in a style reminiscent of the opening.\u003c\/p\u003e\n\u003cp\u003eThird movements of traditional classical symphonies are usually some type of dance, e.g. minuet and trio, scherzo, or waltz. In keeping with this tradition, Movement III: Allegro alla Swing features a jazz waltz. However, instead of being written in song form structure, this movement is written in sonata allegro design. This secondary theme introduces the waltz, which is in sharp contrast to the opening quasi bebop theme. Both themes are featured more or less throughout the entire movement. The development introduces a brief moment of improvisation.\u003c\/p\u003e\n\u003cp\u003eMovement IV: Sonata Rondo alla Swing demonstrates the marriage between jazz and traditional seven part rondo designs, i.e. the sonata rondo form. Section C constitutes a lengthy jazz fugue which functions as a development.\u003c\/p\u003e\n\u003cp\u003eSymphonies, chamber works, and solo works all reflect, in a very real sense, the musical background of this composer, which is the sum of the Amerian urban folk tradition, i.e. spirituals, blues, soul music, gospel music, jazz, and folk-based African music retentions. It also reflects the classical influences of his mentors including Alvin Batiste, Gerard Behague, Kent Kennan, Karl Korte, and Joseph Schwantner. Global Music Awards, an international music competition celebrating independent musicions, awarded Symphony #5: Homage to Swing (Identity 158) the Gold Medal in Counterpoint Classical\/Jazz in May 2018.\u003c\/p\u003e\n\u003cp\u003eOf Note: Dr. Stewart considers the art of composition to be more than a profession, but also a spiritual exercise. Thus, he uses the word 'Identity' as a part of the title of all of his works. 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