{"title":"Special Collections in Performing Arts (SCPA)","description":"\u003cp\u003eIn the year 2000, ACA donated the bulk of its held physical materials to \u003ca rel=\"noopener\" href=\"http:\/\/www.lib.umd.edu\/collections\/special\/performing-arts\" target=\"_blank\"\u003eSpecial Collections in Performing Arts (\u003cspan class=\"il\"\u003eSCPA\u003c\/span\u003e)\u003c\/a\u003e at the University of Maryland, with smaller contributions following in 2003 and 2010. This included thousands of score masters, facsimiles, reproductions, and other musical material.\u003c\/p\u003e\n\u003cp\u003eListed below are six and a half thousands works in ACA's catalogs - published and archival - with historic physical material held at SCPA. Unavailable works can be requested \u003ca title=\"Contact ACA\" href=\"\/pages\/contact\"\u003ethrough ACA\u003c\/a\u003e or \u003ca title=\"SCPA\" href=\"http:\/\/www.lib.umd.edu\/collections\/special\/performing-arts\"\u003ethrough SCPA\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003eWith grants from the Amphion Foundation and the Copland Fund for Music, many of the items have been digitally scanned and are available for electronic access on request.\u003c\/p\u003e\n\u003cp\u003eQuick Filter:  \u003ca href=\"https:\/\/composers.com\/collections\/archival-material-at-special-collections-in-performing-arts-scpa?gf_748402=433314791644\" title=\"Published Materials\"\u003eAvailable Works\u003c\/a\u003e  |  \u003ca href=\"https:\/\/composers.com\/collections\/archival-material-at-special-collections-in-performing-arts-scpa?gf_748402=434378473692\" title=\"Archival Materials\"\u003eArchival Works\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"font-size: .8em;\"\u003e\u003cem\u003eMore information on the administrative material donated can be found using \u003c\/em\u003e\u003ca href=\"https:\/\/archives.lib.umd.edu\/repositories\/4\/resources\/417\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003ethis SCPA finding aid.\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","products":[{"product_id":"amazing-grace-from-collected-songs","title":"Amazing Grace (from Collected Songs)","description":"\u003cp\u003eAdams's Amazing Grace, written in 1992, is the composer's personal response to the more widely known version of the song, and expresses optimism for a bright future.\u003c\/p\u003e\n\n\u003cp\u003eLyrics (excerpt)\n\u003cbr\u003eAmazing grace you fill my heart with song\n\u003cbr\u003eA song of love that lasts the whole day long!\n\u003cbr\u003eAmazing Grace surround me with the strength of your caress,\n\u003cbr\u003eRenew my trust that I'm forever blessed.\u003c\/p\u003e","brand":"H. Leslie Adams","offers":[{"title":"Physical","offer_id":45438389420252,"sku":"ACA-ADHL-011","price":19.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45438389453020,"sku":"ACA-ADHL-011e","price":14.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-ADHL-011e_Page_1.jpg?v=1721424407"},{"product_id":"aria-for-double-bass-and-piano","title":"Aria for Double Bass and Piano","description":"","brand":"H. Leslie Adams","offers":[{"title":"Physical","offer_id":45438389551324,"sku":"ACA-ADHL-097a","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45438389584092,"sku":"ACA-ADHL-097e","price":11.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-ADHL-097e_Page_1.jpg?v=1721424456"},{"product_id":"blake-piano-vocal-selections","title":"BLAKE: Piano Vocal Selections","description":"\u003cp\u003eNew engraved edition of 1985 edition of Blake Piano-vocal score; Four-Act Opera by H. Leslie Adams.\u003c\/p\u003e\n\n\u003cp\u003ePrelude (Orchestral)\u003c\/p\u003e\n\n\u003cp\u003eAct One\n\u003cbr\u003eBlake's Monologue 17\n\u003cbr\u003eNo. 2 Duet - Oh John, My Love (Blake and Miranda) 29\u003c\/p\u003e\n\n\u003cp\u003eAct One, Scene Two.\n\u003cbr\u003eNo. 4 Chorus Goin' Goin' 42\n\u003cbr\u003eNo. 5 Scene Come, Isabella, Let's go in (Joanna, Isabella, Judge Ballard and Stevens) 59\n\u003cbr\u003eNo. 6 Aria. Our Losses Will Be Great (Stevens) 69\u003c\/p\u003e\n\n\u003cp\u003eAct One, Scene Three.\n\u003cbr\u003eNo. 8 Aria -- That Wild Fire (Isabella) 77\n\u003cbr\u003eNo. 9 Scene - You Must Be Mad (Joanna, Miranda, Isabella and Stevens) 85\n\u003cbr\u003eNo. 11 Aria - Prayer: Oh, sweet Jesus (Miranda) 97\u003c\/p\u003e\n\n\u003cp\u003eAct Two\n\u003cbr\u003eNo. 12 Scene Oh, Major, Major! (Polly and Stevens) 104\u003c\/p\u003e\n\n\u003cp\u003eAct Three, Scene 1\n\u003cbr\u003eNo. 16 Recitative and Duet - She stand there, like some dark angel\n\u003cbr\u003e(Isabella and Miranda) 127\n\u003cbr\u003eNo. 17 Arioso and Lullaby No, sweet mistress, Hush, sweet baby chile (Miranda) 134\u003c\/p\u003e\n\n\u003cp\u003eAct Three, Scene 2\n\u003cbr\u003eNo. 18 Blake's Dream, Love Duet - I hear your voice so clearly (Blake and Miranda) 145\n\u003cbr\u003eNo. 20 Scene- Come now, my people! (Blake, Five Groups and Chorus)\u003c\/p\u003e\n\n\u003cp\u003eAct Four\n\u003cbr\u003eNo. 22 Aria My new-found friends (Blake) 191\n\u003cbr\u003eNo. 23 Scene - De time is now!\n\u003cbr\u003e(Crowd, Blake, Three Leaders, Jamey, Silas and Miranda) 197\n\u003cbr\u003eNo. 24 Scene No, Great Gods in heaven!\n\u003cbr\u003e(Blake, Crowd, Miranda, Little-Joe, Three Leaders) 210\n\u003cbr\u003eNo. 25 Finale Free! Free! (Chorus)\u003c\/p\u003e","brand":"H. Leslie Adams","offers":[{"title":"Physical","offer_id":45438389649628,"sku":"ACA-ADHL-021vs","price":194.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-ADHL-021vse_Page_1.jpg?v=1721648161"},{"product_id":"blake-the-opera-full-score-vol-1-prelude-act-1","title":"BLAKE: The Opera, Vol. 1: Prelude, Act 1","description":"\u003cp\u003eSoloists: \u003c\/p\u003e\n\n\u003cp\u003eJohn Henry Blake , Tenor\n\u003cbr\u003eMiranda (Blake's wife), Soprano\n\u003cbr\u003eMajor Frank Stevens, Baritone\n\u003cbr\u003eJoanna (wife of Stevens), Soprano\n\u003cbr\u003eJudge Whitney Ballard, Bass\n\u003cbr\u003eIsabella (sister), Mezzo-Soprano\u003c\/p\u003e\n\n\u003cp\u003eorchestra, chorus, dancers\u003c\/p\u003e\n\n\u003cp\u003eVol. 1\n\u003cbr\u003eprelude and act 1\u003c\/p\u003e\n\n\u003cp\u003eVol. 2\n\u003cbr\u003eact 2 \n\u003cbr\u003eact 3\n\u003cbr\u003eact 4\u003c\/p\u003e","brand":"H. Leslie Adams","offers":[{"title":"Physical","offer_id":45438389682396,"sku":"ACA-ADHL-022s1","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-ADHL-022s1e_Page_1.jpg?v=1721645952"},{"product_id":"blake-the-opera-full-score-vol-2-acts-2-3-and-4","title":"BLAKE: The Opera, Vol. 2: Acts 2, 3, and 4","description":"\u003cp\u003eSoloists: \u003c\/p\u003e\n\n\u003cp\u003eJohn Henry Blake , Tenor\n\u003cbr\u003eMiranda (Blake's wife), Soprano\n\u003cbr\u003eMajor Frank Stevens, Baritone\n\u003cbr\u003eJoanna (wife of Stevens), Soprano\n\u003cbr\u003eJudge Whitney Ballard, Bass\n\u003cbr\u003eIsabella (sister), Mezzo-Soprano\u003c\/p\u003e\n\n\u003cp\u003eorchestra, chorus, dancers\u003c\/p\u003e","brand":"H. Leslie Adams","offers":[{"title":"Physical","offer_id":45438389747932,"sku":"ACA-ADHL-022s2","price":246.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-ADHL-022s2e_Page_1.jpg?v=1721645971"},{"product_id":"blake-00-blakes-monologue-i-come-to-this-place","title":"BLAKE 00 - Blake's Monologue: I Come to This Place","description":"\u003cp\u003ePrelude aria for the opera \"Blake\"\u003c\/p\u003e\n\n\u003cp\u003e\"I come to this place\" in PV edition\u003c\/p\u003e","brand":"H. Leslie Adams","offers":[{"title":"Physical","offer_id":45438389780700,"sku":"ACA-ADHL-080","price":16.5,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45438389813468,"sku":"ACA-ADHL-080e","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-ADHL-080e_Page_1.jpg?v=1721424511"},{"product_id":"blake-02-oh-john-my-love-blake-and-miranda","title":"BLAKE 02 - Oh John, My Love (Blake and Miranda)","description":"\u003cp\u003eLove Duet for Tenor and Soprano, from the opera \"Blake\"\u003c\/p\u003e\n\n\u003cp\u003e\"I hear your voice so clearly, so near to me...\"\u003c\/p\u003e","brand":"H. Leslie Adams","offers":[{"title":"Physical","offer_id":45438389846236,"sku":"ACA-ADHL-122","price":16.0,"currency_code":"USD","in_stock":true},{"title":"Digital (PDF)","offer_id":45438389879004,"sku":"ACA-ADHL-122e","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-ADHL-122e_Page_1.jpg?v=1721424536"},{"product_id":"blake-04-chorus-goin-goin","title":"BLAKE 04 - CHORUS: Goin' Goin'","description":"\u003cp\u003eBlake: Act I, Scene 2 (part)\u003c\/p\u003e","brand":"H. Leslie Adams","offers":[{"title":"Physical","offer_id":45438389911772,"sku":"ACA-ADHL-146","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/8198\/2428\/files\/ACA-ADHL-146e_Page_1.jpg?v=1721648091"},{"product_id":"blake-06-aria-our-losses-will-be-great-stevens","title":"BLAKE 06 - Aria: Our Losses Will Be Great (Stevens)","description":"\u003cp\u003eBlake: Act 1, Scene 2.\u003c\/p\u003e","brand":"H. 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The two themes are recapitulated until the piano takes the field with an extended cadenza in which the motor action of the first theme prevails. The orchestra reenters with a triumphant restatement of the lyrical theme.\u003c\/p\u003e\n\u003cp\u003eSeveral instruments in the orchestra share the spotlight with the piano in the slow movement which is purely melodious and wistful. There follows without a pause a rhythmical introduction to the third movement in which jazz characteristics are even more dominant an in which cross rhythms abound. In the contrasting middle section, the jazz elements become more discreet but never disappear. A somewhat abbreviated recapitulation leads to a terse coda consisting of a few bars of hesitation and a few more of exuberance - a question mark and an exclamation point juxtaposed. The preparation of Citiscape was made possible in part by a grant from the University of Kansas General Research Fund.\u003c\/p\u003e\u003cp\u003eBased on 1968 Concerto for Piano and Orchestra.\u003c\/p\u003e\n\n\u003cp\u003eThe 2024 edition of Citiscape Lights Concerto for Piano and Orchestra by H. Leslie Adams was made with reference to several earlier documents, including scores from pianist Richard Reber, who gave the premiere in 1976, the composer's own expanded and revised versions from the 1980s, a set of engraved files done by a copyist in 2005 but never fully completed, versions from the ACA archives, and in consultations with the composer during 2020-21. The editor of the 2024 edition, Mark Thome, has an extensive composing\/arranging background in jazz and popular music. He addressed ambiguities in the various versions and worked closely with the composer to resolve notational issues, phrasing marks, and balance, with instructions provided by the composer, with the goal of highlighting the sound of the piano more clearly in the textures.\u003c\/p\u003e\n\n\u003cp\u003eIt is ACA's great privilege to offer this new score to the world on behalf of the wonderful composer and pianist Dr. H. Leslie Adams.\u003c\/p\u003e\n\n\u003cp\u003eNote:\u003cbr\u003e\nPercussion 1:  Snare Drum, Mark Tree, Shaker\u003cbr\u003e\nPercussion 2:  Suspended Cymbal, Tambourine, Triangle, Crash Cymbals, Tam-tam\u003cbr\u003e\nPercussion 3:  Xylophone, Bells, Wood Block, Vibraphone, Marimba\u003c\/p\u003e","brand":"H. 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In the first movement, a perpetual motion pulsates in the piano part. A second theme in a more lyrical vein is first introduced by the winds and later elaborated in the piano part. The two themes are recapitulated until the piano takes the field with an extended cadenza in which the motor action of the first theme prevails. The orchestra reenters with a triumphant restatement of the lyrical theme.\u003c\/p\u003e\n\u003cp\u003eSeveral instruments in the orchestra share the spotlight with the piano in the slow movement which is purely melodious and wistful. There follows without a pause a rhythmical introduction to the third movement in which jazz characteristics are even more dominant an in which cross rhythms abound. In the contrasting middle section, the jazz elements become more discreet but never disappear. A somewhat abbreviated recapitulation leads to a terse coda consisting of a few bars of hesitation and a few more of exuberance - a question mark and an exclamation point juxtaposed. The preparation of Citiscape was made possible in part by a grant from the University of Kansas General Research Fund.\u003c\/p\u003e\n\u003cp\u003eBased on 1968 Concerto for Piano and Orchestra.\u003c\/p\u003e\n\u003cp\u003eThe 2024 edition of Citiscape Lights Concerto for Piano and Orchestra by H. Leslie Adams was made with reference to several earlier documents, including scores from pianist Richard Reber, who gave the premiere in 1976, the composer's own expanded and revised versions from the 1980s, a set of engraved files done by a copyist in 2005 but never fully completed, versions from the ACA archives, and in consultations with the composer during 2020-21. The editor of the 2024 edition, Mark Thome, has an extensive composing\/arranging background in jazz and popular music. 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The overriding poetic themes of love, peace and joy are matched by their respective musical settings.\u003c\/p\u003e\n\u003cp\u003eAdams met Joette McDonald, a poet from Vermilion, Ohio in 1992, when they found themselves seat companions at a theatrical performance in Cleveland, Ohio. During their conversation, they found they shared something in common. Subsequently, McDonald sent Adams some of her poems, and the composer was struck by the lyricism, beauty, and deceptive simplicity of the poems.\u0026amp;nbsp;Adams decided to set some of these lovely poems to music and, with the poet's approval, began a collaboration that encompassed a quite extensive song group.\u003c\/p\u003e\n\u003cp\u003e\"On This Day\" expresses pure joy from contrasting perspectives (\"look forward, look back, hold fast, let go ... \").\u003c\/p\u003e\n\u003cp\u003e\"Love Union\" (or \"Christ at a Wedding\") calls forth a Christ presence in the blessing of newly weds, as the two become one.\u003c\/p\u003e\n\u003cp\u003e\"In the Midnight of My Soul\" calls for a guiding light and beacon of inspiration during times of challenge. \"In the maze of weary days You are the compass and the chart.\"\u003c\/p\u003e\n\u003cp\u003e\"Cantus\" again addresses life's contradictions that turn out to be blessings in disguise. \"He will conquer us to bless us, bring us down to elevate.\" The singer finally succumbs to the \"Lord of gentle persuasion\" and resides in the comfort that all is in control.\u003c\/p\u003e\n\u003cp\u003e\"Anniversary Song\" expresses the physical and emotional attraction of two loving, more mature beings as they recall their wonderful life together.\u003c\/p\u003e\n\u003cp\u003e\"Daybirth\" is another expression of joy as the subject runs toward the sunrise. The subject comes to realize a close connection with the Infinite.\u003c\/p\u003e\n\u003cp\u003e\"Flying\" expresses the highs and lows of life's experiences, and the beauty of these contrasting states.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\"From a Hotel Room\" was, according to the poet, written at just such a location, At one point the subject realizes \"the window really isn't mine; I have it for a day ... just now I hold the ownership.\"\u003c\/p\u003e\n\u003cp\u003eIn \"Love Request\" the subject asks his\/her love to \"come walk with me\" and \"come sit with m me for a little while.\" The loving presence and the touch of one's love soothes the soul.\u003c\/p\u003e\n\u003cp\u003e\"Lullaby Eternal\" sings of a parent's (or a creator's) moment of repose before releasing his\/her \"creation\" to the world. \"Soon tomorrow comes, child, times cries out to you\": we must release our creation to go forth into the world, and this song expresses our feeling of satisfaction before such a farewell.\u003c\/p\u003e\n\u003cp\u003e\"Midas, Poor Midas\" comes from a larger set of poems dealing with the mythical King who loved his wealth too much. The settings are half tongue in cheek, half serious, as Midas drowns in a sea of his coins and jewels.\u003c\/p\u003e\n\u003cp\u003e\"Song to Baby Jesus\" and \"Song of the Innkeeper's Children\" have sacred subjects based on the birth of the Christ.\u003c\/p\u003e\n\u003cp\u003e\"Song of Thanks\" is an expression of gratitude for the goodness of one's benefits.\u003c\/p\u003e\n\u003cp\u003e\"Wave and the Shore\" like \"Love Union\" expresses the joy of two people becoming one in a loving commitment.\u003c\/p\u003e\n\u003cp\u003e\"Contentment\" is yet another expression of pleasure of two lover's union (\"Let's share the sunset, whatever the cost.\" \"The package that's offered was tailored for us.\")\u003c\/p\u003e\n\u003cp\u003eIn \"Night People,\" the poet admits to \"a world out there that happens after midnight\" to which he\/she may be unfamiliar, yet finds fascinating. 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