| Darleen Mitchell |
...and the whole world was glad |
soprano, flute, tuba, piano
|
|
| Elizabeth Vercoe |
A LA FIN - TOUT SEUL |
mandolin, with optional piano
|
|
| Jan Gilbert |
ABELARD: CONFESSION, TO HELOISE (FROM "OF HELOISE") |
Countertenor, viola |
|
| Nancy Van de Vate |
ADAGIO AND RONDO FOR VIOLIN AND STRING ORCHESTRA |
Solo violin, string orchestra
|
|
| Nancy Van de Vate |
ADAGIO FOR ORCHESTRA |
2222-2221-timp-strings
|
|
| Alla Pavlova |
Adagio for Violin and Piano |
violin, piano
|
|
| Beth Wiemann |
ADJUSTING THE SAILS |
Women's chorus, DVD (audio/visual)
|
|
| Miriam Gideon |
ADON OLOM |
satb, ob, tpt in C, strings: vl1, vl2, vla, vc, cb
|
|
| Miriam Gideon |
ADON OLOM |
satb, piano/organ
|
|
| Sarah Meneely-Kyder |
AFTER ANGELOU'S MORNING WITH HOPE |
ssa,pf |
|
| Rebecca Sacks |
Agbadza Dance |
String Quartet
|
|
| Beth Wiemann |
Agnus Dei |
SATB chorus, 2 clarinets, bass clarinet and piano |
|
| Miriam Gideon |
AIR FOR VIOLIN & PIANO |
vln,pf
|
|
| Beth Wiemann |
Aldington's Aria (with recitative) |
Baritone, pf
|
|
| Vally Weigl |
ALL DAY I HEAR THE NOISE OF WATERS |
voice, piano
|
|
| Nancy Van de Vate |
ALL QUIET ON THE WESTERN FRONT |
2 tenors, 2 baritones, bass, soprano, mezzo; 2-2-2-2, 2-2-2-0, percussion (3), harp, strings |
|
| Nancy Van de Vate |
ALL QUIET ON THE WESTERN FRONT - PIANO VOCAL |
|
|
| Loretta Jankowski |
Alleluia Fanfare with Variations |
Organ
|
|
| Vally Weigl |
ALONG THE MOVING DARKNESS |
med-high voice, fl (or) vln (obl), pf
|
|
| Vally Weigl |
ALONG THE WAY (choral suite) |
|
|
| Vally Weigl |
ALONG THE WAY (movement from ALONG THE WAY) |
ssa soli(OR)chor
|
|
| Elizabeth Vercoe |
American Fancy |
two pianos
|
|
| Beth Wiemann |
AMERICANA |
Soprano, Clarinet, Violin, and Piano
|
|
| Ann Silsbee |
AN ACRE FOR A BIRD |
SSAATTBB mixed choir
|
|
| Elizabeth R. Austin |
AN AMERICAN TRIPTYCH |
Piano
|
|
| Edith Borroff |
AN HISTORICAL ANAGRAM |
2 recorders: each with sop, alt, ten instruments |
|
| Terry Winter Owens |
Ancient Fire |
2 pianos with narration
|
|
| Darleen Mitchell |
AND STILL... |
hn & orch (2/picc.2.2.2 2.2.2btbn.0 4 perc, str)
|
|
| Vally Weigl |
AND THIS WILL BE ALL? |
Voice,pf,vln,vla
|
|
| Ann Silsbee |
AND WHO SO WITNESSED |
Flute, Clarinet, Violin, Viola, Cello, Percussion, and Piano
|
|
| Vally Weigl |
ANDANTE FOR STRINGS |
str qrt OR str orch
|
|
| Elizabeth Bell |
ANDROMEDA |
pf(solo),perc, str orch
|
|
| Beth Wiemann |
ANOTHER MOMENTARY FEAT |
cham orch:1-1-1-bcl- 0,1-1-0-0,str
|
|
| Darleen Mitchell |
ANTIPHONAL DANCE: PSALM 30, BUT WITH THE DAWN REJOICING |
fl, ob, cl, hn |
|
| Darleen Mitchell |
ANTIPHONAL DREAMS |
euphonium, marimba
|
|
| Darleen Mitchell |
ANTIPHONAL DREAMS PSALM 31 |
piano
|
|
| Darleen Mitchell |
ANTIPHONAL DREAMS: NOVEMBER PSALMS |
Oboe and Piano
|
|
| Beth Wiemann |
Anxious Awareness of Danger |
B-flat clarinet, Vocoder (or synthesizer with vocoder), and Fixed Media
|
|
| Alice Shields |
Apocalypse - Opera in Two Acts - Libretto |
libretto
|
|
| Alice Shields |
Apocalypse Song |
Female Voice and Keyboard
|
|
| Vally Weigl |
APRIL |
women's solo voices, flute(or violin) and piano |
|
| Sarah Meneely-Kyder |
ARACHNE |
satb,perc,pf,str |
|
| Elizabeth Bell |
ARECIBO SONATA |
pf |
|
| Edith Borroff |
ARIA FOR ORGAN |
Organ
|
|
| Marilyn Bliss |
Aria for Tuba |
Tuba
|
|
| Eleanor Cory |
ARIA VIVA |
ten,fl,ob,e.hn,bsn,gtr |
|
| Terry Winter Owens |
Ariadne's Crown |
two pianos or one piano four hands
|
|
| Darleen Mitchell |
AS THE MOON IN THE BRIGHT SKY |
fl,vln,vla,vc,pf |
|
| Darleen Mitchell |
AS THE MOON IN THE BRIGHT SKY II (WITH CLARINET) |
fl, vln, cl, vc, pf
|
|
| Darleen Mitchell |
ASCENT |
violin, piano
|
|
