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To Dance to the Whistling Wind

Composer: 
David Froom
 
  • Commissioned by Laurel Zucker  
  •  “a spell of introspective intensity . . . wonderfully concise and effective . . . [made its] points with quiet power.”  (Cecelia Porter, The Washington Post)
 

Instruments

Meditations on War and Peace

Composer: 
Joyce Hope Suskind

Composed for voice, clarinet, and piano, the music is set to the poetry of Gerard Manley Hopkins, William Butler Yeats, and Morgan Alexander (with the composer's collaboration on the lyric of the song Chalk of Time). 1. Chalk of Time 2. We Start in the Sun 3. War 4. Peace 5. The Second Coming  

Instruments

FOUR IMAGES FOR PIANO

Contrasting pieces using a serial row with permutations

Ensemble Type

Instruments

WIND QUINTET

Mvts 1 and 2, 12-tone used freely at times, Mvt 3 based on whole-tone interval; Revised edition (1996) of this work available.

CAIN (piano version)

Composer: 
Marc Blitzstein

Piano version of 1930 Ballet for large orchestra, composed by Blitzstein on the Old Testament story of Cain and Abel.

Ensemble Type

Resonancia

Resonancia (resonance) was written in the summer of 2003 for the Nuova Musica International New Music Festival held in Senigallia, Italy where it received its premiere. Since that time the work has been presented in other parts of Europe by several pianists and received its US premiere in April of 2005 with pianist Cristina Valdes. The title of the work refers to the abundance of overtones that are produced by the repeated gestures heard during the first part of the work. These dense textures are contrasted by sparser material heard in the second section, which includes muting and plucking of the strings inside the piano as well as more conventional playing. As with much of my music the counterpoint between register, density, timbre, and pacing are important aesthetic concerns as is the exploration of the point where silence begins and sounds end and vice versa.

Ensemble Type

Instruments

NIMBUS

Composer: 
Ross Bauer
Nimbus, premiered by Matthew Krejci on a Music Now concert in Sacramento, CA in October, 2002, is a short piece for solo flute written at the request of Perspectives of New Music for their festschrift in honor of Martin Boykan’s seventieth birthday. While no attempt was made to make any specific allusions to Marty’s music, the piece does capture some of the intensely lyrical qualities of it as well as, I would hope, the flexibility and elegance of phrasing found in the music of my primary teacher. After behaving in a characteristic manner for most of the piece, the flute engages in a quasi impersonation of a violin in a ten measure passage near the end. Following this, at the very end, it reverts to typical flute-like behavior in an explicit and whimsical reference to the beginning of the second half of the piece.  

Instruments

BALLADE for violin and piano

Composer: 
Michael Slayton

Semi-virtuosic in nature, the Ballade exhibits stark contrasts of mood and texture - one movement split into several smaller subsections, including a cadenza.

Instruments

LOVE OR MONEY

Composer: 
Matthew Davidson
Singspiel in one act and thirteen scenes.  For singer/actors.  Ranges are as follows: 5 Sopranos, 4 Mezzo sopranos, 1 Alto, 4 Tenors, 3 Baritones, 2 Bass.  Ranges are approximate and can be changed if necessary. Actors/Singers may duplicate roles within a production. Plot Summary:  Diane Forest is an artistically successful author who makes a deal with Mephistopheles to become financially successful.

SUMMER SOLSTICE

A celebration of pagan rites, lover's trysts, wild dances and lighthearted frolic;

Genre/Theme

Deux Plaisanteries

Composer: 
Matthew Davidson

1. Roll Jordan Roll; 2. Dangdut

 

Roll Jordan Roll’ (movement one) is a series of genre variations on the African-American spiritual of the same name. The melody was transcribed from a 78rpm recording of the Fisk Jubilee Singers, and in turn, this appeared on the 1962 Folkways LP entitled An Introduction to Gospel Song.

Ensemble Type

Instruments

Nonsense Music

Composer: 
Matthew Davidson

1. A Man Who Wasn't; 2. Sylvan Catch; 3. Peas with Honey; 4. One Fine October Morning; 5. A Little Bit Wrong  

 

 
 
 

Five short song settings of five nonsense poems (three anonymous, two credited), which reflects my childhood in New Zealand.

Ensemble Type

Instruments

Music for String Trio

Composer: 
Matthew Davidson

 

 

 

1. Hore Cerny; 2. La Pesadilla; 3. Talencourt; 4. Voulez-vous que je vous chante?; 5. Mache dich mein geist bereit (Marcia - "Pseudo-Adagio"); 6. Shir Ha-Shirim  

 

While no Lyric Suite, this is my most ambitious composition to date, combining multiple musical cultures dating over the past 1,000 years. It is dedicated to my wife, Shayna. The first movement owes something to the world of Janacek, and is even based upon a Czech folk tune (which one hears partially disguised at one point).

Ensemble Type

Instruments

COLLOQUY

Composer: 
Vladimir Ussachevsky
The composer's own voice is memorialized on the playback tape, which features a speaker (electronically processed voice) having a "conversation" with the orchestra about electronic music and the various sounds that can be synthesized (a la mid-1970s), as a friendly jousting back and forth between the tape and the instrumentalists in the orchestra. Requires a tape operator to stop and start a CD or computer audio files at precise moments in the score.