This one minute theme and variations (actually the “theme” is a five-second chorale) was realized in studio B of the Experimental Music Studios of the University of Illinois, Urbana, United States of America. It should be much shorter.
The composer's own voice is memorialized on the playback tape, which features a speaker (electronically processed voice) having a "conversation" with the orchestra about electronic music and the various sounds that can be synthesized (a la mid-1970s), as a friendly jousting back and forth between the tape and the instrumentalists in the orchestra. Requires a tape operator to stop and start a CD or computer audio files at precise moments in the score.
The play is a monologue of a mother (a former cabaret singer)writing to her estranged daughter. The mother sings the 5 songs during the course of the play. The songs work well as a set apart from a performance of the play.
"The piece is a delight -- intellectually engaging, explosive with imagination and with a satisfying visceral power." (Stephen Brookes, The Washington Post)