A setting of the Methodist Liturgy
A series of miniatures for orchestra and narrator (narration is juxtaposed, not overlapping) illustrating the text of Asian Indian story teller and author Gita Kar. The Hindi word 'khoj' means 'the wonder of discovery.'
For singers and West African percussion set in the Krio language of Sierra Leone, West Africa
A setting of the popular Hmong folk tale for narrator (narration is juxtaposed, not overlapping) and orchestra. Optional section features soloist on the qeej (a Hmong folk instrument) and children's dance group from the Hmong Cultural Center, St. Paul, M
Of Heloise is a setting of poetry from Judith Infante's Love: A Suspect Form, Heloise and Abelard.
The story of Shakuntala (shakuntas/birds) first appeared in the Mahabharata and was later adapted into a play by Kalidasa. This passage is considered to be the most beautiful in the Sanskrit language. This setting for soprano, veena and string quartet uses the ragas varali and rasikapriya.
Suite for South Indian Veena and Orchestra is dedicated to Nirmala Rajasekar (nirmalarajasekar.com) The six movements include settings of three forms of Carnatic music: the alap (a slow, unfolding melody), the Jati (rhythmic composition) and the Thillana
The thillana is a vocal genre in South Indian dance and music performances that prominently features drumming syllables as part of the text. The Dhanasri Thillana, named after the raga Dhanasri (similar to the Dorian mode) was composed by Swathi Thirunal, who was not only a prolific composer, but also the ruler of Travanacore (now Kerala) from 1815 to 1829. The Dhanasri Thillana is one of Swathi Thirunal’s most enduring works – performed frequently on both music and dance concerts throughout India.
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