marimba

mba

FLYING TIME

Composer: 
Ross Bauer
Instrumentation freestyle: 
two marimbas (one with 5-octave range)
List Price: 
$26.50 score and parts

ASSEMBLAGE

Composer: 
George Edwards
Instrumentation freestyle: 
fl, ob, bscl, wyl/mmba, cel, pf, gtr,vla

BURLESQUES

Composer: 
Brian Schober
Instrumentation freestyle: 
fl, ob, cl, bsn, hn, tpt, vib, mar, pf, 2 vn, vla, vcl

FIVE PIECES FOR MARIMBA

Composer: 
Allan Blank
Instrumentation freestyle: 
marimba solo

Instruments

List Price: 
$10

QUANTUM FOAM

Composer: 
Harold Oliver
Instrumentation freestyle: 
two guitars or solo marimba

Ensemble Type

LAPIDARY NIMBUS

Composer: 
Harold Oliver
Instrumentation freestyle: 
violin, marimba

Ensemble Type

Instruments

CANTOS ARCHIPELAGOS

Composer: 
Harold Oliver
Instrumentation freestyle: 
Eng. Horn (or Bass Fl.) Marimba, Cello

Ensemble Type

AH, MATSUSHIMA!

Composer: 
Raymond Luedeke
Instrumentation freestyle: 
vln, marimba

Ensemble Type

Instruments

SILENCE!

Composer: 
Raymond Luedeke
Instrumentation freestyle: 
perc & mmb(or vc, or ob,or fl,or cl, or vla, or vcl)

Ensemble Type

POND IN A BOWL

Composer: 
John Lessard
Instrumentation freestyle: 
S, mba, vib, bongos, pf

Songs on texts of Han Yu, evocative of a peaceful old age.

SPRING PASSING for violin and marimba (1998)

Composer: 
Lawrence Dillon
Instrumentation freestyle: 
vn and marimba

Ensemble Type

SPRING PASSING (1998)

Composer: 
Lawrence Dillon
Instrumentation freestyle: 
fl, mba

Ensemble Type

Instruments

THE OTHER SIDE OF TIME

Composer: 
Brian Fennelly
Scoring: 
3(pic,afl)-3(Ehn)-3(bcl, cbcl)-3(cbsn), 4-3(flglhn)-3(btrom)-2(euph), Timp/Chimes-perc(4)
Instrumentation freestyle: 
25 winds, timpani, percussion (4)
The Other Side of Time was written for the New England Conservatory Wind Ensemble at the request of its director, Charles Peltz. It is scored for 25 wind instruments, timpani, and 4 percussionists. After a brooding beginning, each of its contiguous sections develops at a different but related tempo, often moving within from lyrical lines to dramatic outbursts. The final section, at the original tempo, recalls the material of the opening and its anxious percussion activity. While the piece is meant to reflect some kind of spiritual journey, the title is actually taken from a book by paleontologist/geologist Robert Titus on the origins of the Catskill Mountains in New York State.
List Price: 
$29.50 conductor’s size 11 x 14
List Price: 
$18.50 letter size for study
List Price: 
set of 28 parts plus extra horns $210 (9 x 12 concert size)

SLOW BURN

Composer: 
Beth Wiemann
Instrumentation freestyle: 
FL, BS CL, Marimba
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