fixed media (electronics)

elecrec

AUTUMN ETUDE

Composer: 
Scott L. Miller
Instrumentation freestyle: 
electronic music with video, fixed media

Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's poems Atlàntida Última Ronda and Autumn Sonata, duration: 8 minutes. Created in collaboration with Philippe Costaglioli and Ron Gregg (video artist). First performance: 10 April 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN.

Pure Pleasure

Composer: 
Scott L. Miller
Instrumentation freestyle: 
Two snare drums and fixed-media electronics
Scoring: 
2 sn, elec

AIRDANCING

Composer: 
Tom Flaherty

As I worked on this piece, images of falling, floating, and flying often came across my computer monitor. Stunning videos of Felix Baumgartner’s recent jump from space, the second stage of a rocket falling from edge of space into the ocean, and people jumping off cliffs in wing suits were in the back of my mind as I began the piece. The fascinating and unprecedented video of a giant squid swimming in its natural habitat was released as the piece progressed. 

All these images seem to have woven themselves into the texture of the piece; many of the musical gestures fall or float. On the other hand, the pitches, rhythms and sounds of the music itself often turn to frenzied dance.

All the electronic sounds are fairly simple manipulations of toy piano samples. Most of the pitches in the piece come from the first chord in the piano part.

Airdancing is dedicated to Nadia Shpachenko and Genevieve Feiwen Lee. Their artistry is the real inspiration for the piece.

FROM AN UNDISCLOSED LOCATION (video score)

Composer: 
Joel Gressel

Video film by Michael Bergmann; Music composed by Joel Gressel

Genre/Theme

BLOSSOMS AND CANNONS: A BIRTHDAY TRIBUTE

Composer: 
Elliott Schwartz
Instrumentation freestyle: 
pf, tape

Schumann-Chopin birthday tribute for piano solo &electronics.  This is an arrangement of Movement 1 from the composer's Collage Concertante (Birthday Tribute).

MIRRORS AND BRANCHES

Composer: 
Elliott Schwartz
Instrumentation freestyle: 
piano solo, with two pre-recorded piano tracks, created by the performer
List Price: 
$15.95

CROWDED SOURCING

Composer: 
Beth Wiemann
Instrumentation freestyle: 
violin and prerecorded audio

THE LINE BETWEEN

Composer: 
Edward S Jacobs
Instrumentation freestyle: 
soprano, pre-recorded sound

Composer's note:
The Line Between was written with an enormous amount of flexibility and rhythmic freedom in mind; not a lot of concern for strict synchronicity between voice and tape within phrases. The music allows the singer to be free within the bounds of sounds which are, by necessity, fixed. The lack of strict rhythmic correlation creates a sense of “communal prayer” which is heard very clearly at several points (perhaps most notably in the final minute).


There are many moments (the very first phrase, for example) where the singer has a great deal of freedom in tempo; often the tape part emerges without a clear beginning from the singer’s pitch. In such cases—and, really, throughout the piece—the singer is encouraged to treat a phrase’s internal rhythms with some freedom. Again, the composer is drawing on the aural image of prayer chants; both the variation one might hear as different chanters lead a prayer, and the heterophony that emerges as a group chants ‘together.’

List Price: 
$21.95 --2 scores (for soprano and tape operator, with CD of playback audio)

CIRCLINGS

Composer: 
Christopher Shultis
Instrumentation freestyle: 
alternate version: string quartet and electronics; with optional video
Scoring: 
4 gayageums and electronics; With (optional) video by Hee Sook Kim

"in the woods, all directions, seem the right ones"

List Price: 
$12.50 full score

For Milton

Composer: 
John Melby
Instrumentation freestyle: 
soprano and computer-synthesized sound

Part of the Perspectives of Mew Music/Open Space Milton Babbitt Memorial project

List Price: 
$8.25
List Price: 
$14 two scores for performance; vocal + sound tech

NEVER AGAIN THE SAME

Composer: 
Arthur Kreiger
Instrumentation freestyle: 
Soprano, electronic sounds

composer's comment: "a backdrop of electronic timbres and textures that virtually surround the soprano and bathe her in an alien soundscape of flamboyant, yet compelling, musical colors."

SOUND MERGER

Composer: 
Arthur Kreiger
Instrumentation freestyle: 
fl,ob,cl,bscl,hn,tpt,tbn,perc(2), 5-part strings, electronic sounds
Syndicate content