dance or ballet

dance

SOUL OF THE CH'IN

Composer: 
Aaron Avshalomov

Symphonic suite

Ensemble Type

Genre/Theme

Gifts (for you)

Composer: 
Burton Beerman
Instrumentation freestyle: 
vln, pno, dance ensemble

Ensemble Type

Instruments

Genre/Theme

LONESOME DOVE - a true story (for saxophone, dancer, and stagehand)

Composer: 
Richard Cameron-Wolfe
Instrumentation freestyle: 
Bflat tenor saxophone (male), Dancer (female), Stagehand

Instruments

CASTLE MUSIC

Composer: 
Brian Bevelander
Instrumentation freestyle: 
pf, tape, perc

Castle Music (for Piano Four-hands, Percussion, Electronics and Pre-recorded Tape) was premiered at the Dartington Music Festival in South Devon, England in 1982, and also featured two dancers. The title refers to the 14th-century Dartingon Castle, which serves as the festival's concert hall. Since the premiere, numerous performances of Castle Music have been given and new music and dance festivals.

Genre/Theme

GEEZ, DANCE for five percussionists and dancers

Composer: 
Eric Ziolek
Instrumentation freestyle: 
perc

Instruments

Genre/Theme

JESUS' DAUGHTER

Composer: 
Burton Beerman
Instrumentation freestyle: 
Mezzo Sop, Cl, Live interactive audio

An intermediate dance/opera.

Genre/Theme

INVISIBLE IMAGES

Composer: 
Burton Beerman
Instrumentation freestyle: 
vln, vc, perc, dance ensemble, electronics

Genre/Theme

RAPE POEMS OF FRANCES DRISCOLL

Composer: 
Burton Beerman
Instrumentation freestyle: 
cl, dancer with BodySynth, Kyma computer music system fom Symbolic Sound

Genre/Theme

PLAYTHINGS

Composer: 
Burton Beerman
Instrumentation freestyle: 
cl, dancers

Instruments

Genre/Theme

NIGHTINGALE, THE

Composer: 
Ramon Zupko
Instrumentation freestyle: 
Alto, Bar, Bs-Bar, cello, clarinet, flute, percussion, piano, piccolo, soprano, tenor, trombone, trumpet, violin

A multi-media chamber opera, employing both real and virtual sets, large-screen digital projections, recorded electronic music tracks, 8 principals, 8 dancers, a small chorus,(serving in several capacities,) 2 narrators.(recorded) and a chamber ensemble. There are 13 scenes within the 1 act, with 39 seperate "pieces". Creation of new projection visuals as well as sets and costumes would be part of mounting a new production of the work. The narrator parts provide the clues for the visuals and the sets. All other performance materials are available. The work can be performed by college opera-theatre groups. The most difficult parts are the role of the nightingale, and the piano part.

PROUD MUSIC OF THE STORM

Composer: 
Ramon Zupko
Instrumentation freestyle: 
orchestra, 2 bands, chorus, dancers, electronic tracks, narrators, visuals (film and slides)

A mammoth multi-media -musical theater work in 6 sections (Prologue, The Sounds, The Land, The People, The Idea, Epilogue) for orchestra, 2 bands, chorus, dancers, electronic tracks, narrators, visuals (film and slides). Any new production of this work would require new visuals representing the current state of the technology. The narrative is entirely from the poetry of Walt Whitman, which is recorded by the narrators on the electronic (CD) tracks. The work is a celebration of America's Bicenntenial in 1976; the majority of the sounds on the electronic tracks are short excerpts from American music of the previous two centuries, the remaining sounds were created in an electronic music studio. The CD for all the sound tracks is intact and available. The chorus does not sing text, but rather specific vowel-consonant combinations to melodies from other american music.most of the live music is not difficult, but the mounting of the production would be a formidable challenge.

RITUALS AND DANCES

Composer: 
Ramon Zupko
Instrumentation freestyle: 
triple quintet (wind, brass, and strings) plus 3 percussion.

Based on the novel "Anpao-An American Indian Odyssey" by Jamake Highwater, this work was originally a theatre-dance work with narration, which was loosly adapted from the main elements of the story. It is scored for large chamber ensemble (triple quintet) with percussion. The piece may be performed either as a concert work or as a theatre-dance work, conceived, as it was, in terms of both musical structure and physical movement. The eight sections of the piece are all related melodically and harmonlically, and collectively form a whole. The work was performed originally by faculty musicians and student dancers. The music is often technically and rhythmically challenging, but could be performed by advanced college music majors.

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