commemoration/homage/event/issues/causes

event

II-V Fanfare for brass choir, jazz clarinet and jazz rhythm section

Composer: 
Mark Thome
Instrumentation freestyle: 
solo clarinet; piano, cb, drums; 4 tpt, 4hn, 3tbn, tba
Dedicated to the Washington Center for the Performing Arts in Olympia, WA in honor of their silver 25th anniversay (II - V).Premiere November 7, 2010 by the SOGO Brass Choir with clarinetist Jeff Brooks; Greg Allison conducting.
List Price: 
$11 conductors score; inquire for set of parts

IN MEMORIAM 9/11

Composer: 
Allan Blank
Instrumentation freestyle: 
2 vla, 2 vc, 2 db, 2 perc
List Price: 
$44.50 score and performance set of parts, purchase

Piano Trio #2, "Grenzen" ("Borders")

Composer: 
David Froom
Instrumentation freestyle: 
vn, vc, pno
 
  • Commissioned by the Haydn Trio Eisenstadt   
  • "The piece is a delight -- intellectually engaging, explosive with imagination and with a satisfying visceral power."  (Stephen Brookes, The Washington Post, 2006)
  • "David Froom's Piano Trio No. 2 "Grenzen" -- a piece so full of life it almost bursts out of its skin -- received a spectacularly energetic and focused performance from Elisabeth Adkins on violin, Rachel Young on cello, and Lisa Emenheiser at the piano." (Stephen Brookes, The Washington Post, 2010)
     
      

Ensemble Type

Instruments

List Price: 
$39 score, set of parts
List Price: 
$26 score only

BLUE STATES

Composer: 
Joel Gressel
Instrumentation freestyle: 
audio playback

Blue States (2008) was composed during the fall and winter of 2008. The title alludes not only to states that voted for the Democratic nominee in the 2008 election, but also to various jazz elements and moods of sadness, largely abated by the results of the election.

The opening introductory section settles on jazz chords at the end of its long phrases. In the next fugal section a jazz tune is presented in several timbres and speeds, as if a group of players were standing around waiting for their turn to get in a lick. A strong bass line proves counterpoint here and elsewhere throughout the piece.

Two introspective sections follow – the first with sustained white-noise chords punctuated by bell-like attacks, the second with vibraphone-like chords. A further set of variations moves from an almost catatonic state to a full emotional outburst, perhaps occasioned by the election results. Another faster jazzy section leads to a recapitulation that expands and alters the original three sections.

FANFARE FOR THE SCHOOL VOLUNTEERS FOR BOSTON

Composer: 
T.J. Anderson
Scoring: 
3 Bb trps, 4 hn., 3 tbn. tb. tenor drum

Commissioned by the American Wind Symphony

SPACE-OUT, A Rock Cantata

Composer: 
Donald M. Wilson
Instrumentation freestyle: 
sop voice,jazz lab band, tape & visuals

Multimedia Piece

Instruments

FOR THE VICTIMS AND SURVIVORS OF SEPTEMBER 11

Composer: 
Frederick C Tillis
Scoring: 
5 sx, 4 tpt, hn, 3 tbn, tb, timp, vib, Narr, gtr, pf, db, dms

Jazz ensemble and Narrator; 2 mvts: 1. Gotham City-911 2. An International Rage

FREEDOM

Composer: 
Frederick C Tillis
Instrumentation freestyle: 
satb (pf for reh)

Chorus speaks, whispers, vocal effects, sound study on words "misery, suffering, pain, anguish, distress, freedom, wretchedness, despair, poverty, agony, degradation, destitution, grief, humiliation, rejection, despondency, abasement,affliction" Recorded 1972 at U of Mass, Amherst.

Ensemble Type

PEACE CANTATA - SATB, orch version

Composer: 
Allan Blank
Scoring: 
satb, pic/3-2-ehn-2- bcl-2-cbsn,4-3-3-1,timp,perc(2),hp,pf,str

Ensemble Type

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