wind ensemble

DANZA - wind octet

Composer: 
Carlos Rausch
Instrumentation freestyle: 
ww 8tet: 2ob, 2cl, 2bsn, 2hn

Ensemble Type

List Price: 
$35.95 score and parts

BLUE TANGO

Composer: 
Barbara Jazwinski
Scoring: 
ob, cl in B flat, tenor sax, bsn

Genre/Theme

SHADOW ON THE SUN (2011) for wind ensemble

Composer: 
Lawrence Dillon
Instrumentation freestyle: 
wind ensemble
A composition for wind ensemble that explores the phenomenon of the solar corona.  Can be performed with projections of solar images.

Ensemble Type

ASSUNPINK TWILIGHT

Composer: 
Mark Zuckerman
Instrumentation freestyle: 
picc, 2 fl, 2 cl, bcl, asax, tsax, tp, hn, tb, perc

Ensemble Type

List Price: 
$11.50 conductor's score

A CELEBRATION CONCERTO (past…present…future..)

Composer: 
Elizabeth R. Austin
Scoring: 
3 fl (3rd dbl pic), 3 ob (3rd dbl Eng hn), 3 cl (Bb), bscl, 2 asx, tsx, barsx, 3bsn, 4 hn, 3 tpt, 3 tenortbn (3rd dbl bstbn), euph, 2 tba, timp, 3Perc, solo piano, child soprano offstage
Instrumentation freestyle: 
for piano, child soprano and large wind ensemble

Movement I. “I am the Alpha and the Omega, the first and the last, the
beginning and the end.” (Revelation 22:13).
Interlude 1 “Ma fin est mon commencement (“My end is my beginning”)”
Movement II.“I am the door of the sheep..I am the good shepherd..”(John
10: 7-17) “Ma fin est mon commencement”
Interlude II. “I have other sheep that are not of this fold.”
Movement III. “Do not fear, only believe.” (Mark 5:36)
Interlude III. “Fare thee well and fare thee forward, Traveler!”
Movement IV. The Crystal Fountain

There are four movements, with an interlude between each. As a nod to Jerome Reed’s extensive chamber music performances, these
interludes feature various individual players from the ensemble, gathered around the keyboard.

Instruments

List Price: 
$29 conductor's score; Performance set on rental

BENEFICIENT SHADOW - SEXTET FOR WINDS

Composer: 
Thomas L. Read
Instrumentation freestyle: 
fl/pic; fl/bsfl; cl1, cl2/bscl, bsn1, bsn2

While considering possibilities for fulfilling the VCME’s woodwind commission I happened upon reproductions of two famous paintings: The Mountain (Summertime), by Balthus, and Melancholy and Mystery of a Street, by De Chirico. The haunting treatment of shadows in these paintings was suggestive, leading me to a general musical conception of this piece. Ultimately, literary as well as visual shadow-symbol phantasmagoria inspired musical content, even encouraging my choice of instrumentation: two flutesdoubling piccolo and bass flute, two clarinets-doubling bass clarinet, and two bassoons.

Ensemble Type

A Brief View of Eternity (clarinet choir)

Composer: 
James Sain
Instrumentation freestyle: 
Eb Sopranino Clarinet; Bb Clarinet; 1-3 F Basset Horn ;Bb Bass Clarinet ;Eb Contra Alto Clarinet; Bb Contra Bass Clarinet

Ensemble Type

TANGENTS

Composer: 
Lee Gannon
Instrumentation freestyle: 
wind ens: pic, fl, ob, 2cl, bcl, 2bsn, 2asax, tsax, barsax, 2tptC, 4hn, 2tbn, bar, tba, timp, 3perc

SYMPHONY NO. 1 for Wind Ensemble

Composer: 
Lee Gannon
Instrumentation freestyle: 
wind ens: pic, fl, 2ob, Ebcl, 3cl, bcl, 2bsn, 2asax, tsax, barsax, 3tpt, 4hn, euph, 2tbn, btbn, tba, cb, timp, 3perc
List Price: 
$59 conductor's score
List Price: 
inquire for set of parts rental or sale

Clusters

Composer: 
Hubert Howe
Instrumentation freestyle: 
wind ensemble: fl/pic,cl,ob,ebCl,bsCl, SATB saxes, hn, tpt, tbn, tba, pf, perc (chimes, xyl, mrba), db

Instruments

THE OTHER SIDE OF TIME

Composer: 
Brian Fennelly
Scoring: 
3(pic,afl)-3(Ehn)-3(bcl, cbcl)-3(cbsn), 4-3(flglhn)-3(btrom)-2(euph), Timp/Chimes-perc(4)
Instrumentation freestyle: 
25 winds, timpani, percussion (4)
The Other Side of Time was written for the New England Conservatory Wind Ensemble at the request of its director, Charles Peltz. It is scored for 25 wind instruments, timpani, and 4 percussionists. After a brooding beginning, each of its contiguous sections develops at a different but related tempo, often moving within from lyrical lines to dramatic outbursts. The final section, at the original tempo, recalls the material of the opening and its anxious percussion activity. While the piece is meant to reflect some kind of spiritual journey, the title is actually taken from a book by paleontologist/geologist Robert Titus on the origins of the Catskill Mountains in New York State.
List Price: 
$29.50 conductor’s size 11 x 14
List Price: 
$18.50 letter size for study
List Price: 
set of 28 parts plus extra horns $210 (9 x 12 concert size)

BLACK BEAR DANCE

Composer: 
Beth Wiemann
Instrumentation freestyle: 
orchestral winds plus vibraphone

Instruments

Saxophone Quartet

Composer: 
David Froom

Commissioned by the Aurelia Saxophone Quartet

List Price: 
$39 score, set of parts
List Price: 
$26 score only

FROM THE GROUND UP

Composer: 
Robert Carl
Scoring: 
3332 4321 SATB saxophones, timp, perc (3), db
Instrumentation freestyle: 
3 fl-picc-3 ob-3 cl(Bb)-bass cl-4 sax (SATB)- 2 bsn-cbsn-4 horns-3 tr (in C)-2 ten trb-b trb-euph-tba-tim-3 perc-cb

Ensemble Type

INTERMEZZO AND ALLEGRO

Composer: 
Ramon Zupko
Scoring: 
band: 1-2-2 (+e.hn.) - Eb cl.-3-1- b.cl.- 2bsn.-sax: 2-2-1 -cor:1-2-3 - tpt:1 -2 hn:1-2-3-4- bar:1-2- trb: 1-2-3- tubas- perc.(3 perf.)

A work for concert band, with a lyrical first movement, and a highly rhythmic, dance-like second movement. Of intermediate difficulty, the piece has been performed successfully by advanced high school bands.

Ensemble Type

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