Category: solo voice(s)+large ensemble or orchestra
voice+lg ens
Linda Larson, soprano
Chris Trakas as Benjamin Button

Dominic Inferrera as young Benjamin Button


Last scene



Diane Forest is an artistically successful author who makes a deal with Mephistopheles to become financially successful.
Treemonisha performance: Trilogy, an Opera Company 2009
Words and music by Scott Joplin. Adapted, arranged, and orchestrated by T.J. Anderson.
Voices optional, can be band alone.
Commissioned by the Center for Black Music Research, Chicago.
Commissioned by the Fromm Foundation at Harvard for William Sharp and the 21st Century Consort.
Commissioned by the Koussevitzky Foundation for Fred Cohen and Currents, with soprano Christine Schadeberg
“Schadeberg
sang Froom’s eloquent, interesting ‘Emerson Songs.’ . . . Her singing of the
last line . . . was certainly powerful enough to convey the rapt vision of love
the words expressed. But the
instrumental conclusion took the intensity that much further up the scale.” (William
Glackin, The Sacramento Bee)
I had the
opportunity of hearing Chana Bloch read from her translation of The
Song of Songs shortly after it was published in 1995. I was deeply
moved by the beauty of this sensual poem, and knew I would one day set
it to music. The story about the sexual awakening of a young woman and
her lover is told in a series of subtly articulated scenes, where the
two meet in an idealized landscape of fertility and abundance and
discover the pleasures of love. The work is in 5 movements. I excerpted
some of the most powerfully emotional sections of the poem, alternating
between the woman and man, before a final ecstatic duet.
A trilogy for soprano and chamber ensemble employing poems on the subject of war by Ezra Pound, Randall Jarrell, and e.e. cummings. Featuring numerous extended vocal and instrumental tecnhiques, as well as some graphic notation. The work is highly dramatic and theatrical, and technically and interpretively extremely demanding. Requires professional performers with considerable experience in the performance of new music created in the 1960s-1970s decade.
Aria from the opera Frederick DouglasS, often performed in concert version.