chorus+orchestra/ens

chor+ens

MAN WITH A HOE, THE

Composer: 
Lloyd Ultan
Scoring: 
large chorus, SATB soli, orch: pic-3-2-eh-2-bcl-bsn; 4-3-3-1; timp, perc; hp, str

ARCANA

Composer: 
Jacob Avshalomov
Instrumentation freestyle: 
Mixed and Unmixed Chorus, tpt, hn, bsn, trb

Ensemble Type

SONG - AFTER WALT WHITMAN

Composer: 
Frederic Balazs
Scoring: 
Boy's chorus, soloists, 2-2-2-2 (oboe d'amore or tárogató optional), 2-2-3-1, timp, perc (2), hp, piano, celeste (opt), strings

Re-composed movement from "Concerto for Orchestra" for Boys' Chorus and Orchestra.

Instruments

ON TIME

Composer: 
Beth Wiemann
Instrumentation freestyle: 
SATB, trumpet, flute

TIME HAS COME, THE

Composer: 
Frederick C Tillis
Instrumentation freestyle: 
SATB, pf, str bass, drums

Genre/Theme

THE FALSE MESSIAH

Scoring: 
voices, orch: 1/pic-1-1-1; 1-1-1-0; hp; pf; perc; str

Ensemble Type

Instruments

DAVID'S BEST

Composer: 
Robert Newell
Instrumentation freestyle: 
SATB with Organ and optional Harp or Synth
The text is a compilation of excerpts from four of King David's most memorable, powerful Psalms, dealing with the power of music and singing, with the depth of God's love, and with drinking from His "river of delights."

PROUD MUSIC OF THE STORM

Composer: 
Ramon Zupko
Instrumentation freestyle: 
orchestra, 2 bands, chorus, dancers, electronic tracks, narrators, visuals (film and slides)

A mammoth multi-media -musical theater work in 6 sections (Prologue, The Sounds, The Land, The People, The Idea, Epilogue) for orchestra, 2 bands, chorus, dancers, electronic tracks, narrators, visuals (film and slides). Any new production of this work would require new visuals representing the current state of the technology. The narrative is entirely from the poetry of Walt Whitman, which is recorded by the narrators on the electronic (CD) tracks. The work is a celebration of America's Bicenntenial in 1976; the majority of the sounds on the electronic tracks are short excerpts from American music of the previous two centuries, the remaining sounds were created in an electronic music studio. The CD for all the sound tracks is intact and available. The chorus does not sing text, but rather specific vowel-consonant combinations to melodies from other american music.most of the live music is not difficult, but the mounting of the production would be a formidable challenge.

ALL THE PRETTY HORSES

Composer: 
Ramon Zupko
Instrumentation freestyle: 
SATB; chamber orch

An arrangement of the children's nursury tune for young players and singers, suitable for hgih school or youth orchestra and choir.

Ensemble Type

THIS IS THE GARDEN

Composer: 
Ramon Zupko
Instrumentation freestyle: 
choir, str, wind soloists,( fl., ob., cl., tpt.) perc

A setting for choir, solo winds, strings and percussion, of the poem by ee cummings. The work has an exotic quality in the instrumentation and treatment of the choir, reflecting the qualities inherent in the poem. most of the work is of medium difficulty, and has been successfully performed by strong amateur groups. There is no unusual notation, nor are any extended performance techniques required.

Ensemble Type

WILD MAN, THE

Composer: 
Raymond Luedeke
Instrumentation freestyle: 
B, Bar, T, S, boyS, child's chorus, fl/pic, ob/eh, hn, vln, vla, vc, cb

Ensemble Type

Instruments

PRAYER FOR THE EARTH, A

Composer: 
Raymond Luedeke
Scoring: 
2 FL (PICC), OBOE, ENG HN, CL, B CL, BSN/CON BSN, 4.2.3.1 BRASS, TIMP, STRINGS, SATB CHORUS DIVIDED INTO FULL AND CHAMBER CHOIRS

Ensemble Type

Instruments

PASSAGE TO THEREAFTER

Composer: 
John Anthony Lennon
Scoring: 
sa chor(8min)& orch: 3/pic-3/eh-3/bcl-3/cbsn,4-3-3btbn-2,3perc,cel,2hp,str

Ensemble Type

PRAYER OF JONAH, THE

Composer: 
Charles Wuorinen
Scoring: 
satb,str:2-1-1-1

Ensemble Type

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