Scoring:
3 fl (3rd dbl pic), 2 ob, Eng hn, 2 cl (Bb), bscl, 2 bsn, cbsn, 4 hn, 3 tpt (in C), 2 tbn, bs tbn, tba
The title of my work, The Sound of Light, has many
implications that relate to my thoughts while writing the piece: first, there
is the fact that sound can literally become light under certain conditions in a
technical process called sonoluminescence. The fact that vibration can take the
form of sound or light depending on frequency led me to imagine how light would
sound, if I could hear it. These imaginings, of course, are of a very personal
nature, and not meant to be literal or programmatic. Light exists at virtually
all times with some degree of darkness, and this dynamic is very much a part of
my composition.
When talking about musical timbre, we often refer to the
“color” of sound, and there is no group of instruments with a greater range of
tone colors than the orchestral winds. Thus the choice of instruments for my
piece is predicated on this range of tone-color variations that is often
described in relation to lightness and darkness.