band/wind ensemble large

lg band

FANFARE OVERTURE

Composer: 
Frederic Goossen
Scoring: 
pic/2-2-ehn-Ebcl-3-acl-bcl-2-cbsn-sax(aatbar); 3cor-2tpt-4hn-2tbn-btbn-euph-tba; cb, pf; timp, perc

ESSAY FOR SOLO SAXOPHONE AND BAND

Composer: 
Marilyn Shrude
Instrumentation freestyle: 
Solo Alto and Soprano Saxophones; Fl 1,2; Bb clar 1,2,3; Bb bass clar; Eb alto sax 1,2; Bb tenor sax; Eb baritone sax/ Bb trp 1,2; Horn 1,2; Trombone 1,2; Euphonium; Tuba/ Timpani; 4 Percussion

This work is appropriate for Middle School bands.

MUSIC BECOMES ME

Composer: 
Roger Vogel
Instrumentation freestyle: 
High Voice, Solo Flute, Large Wind Ensemble

Instruments

List Price: 
$31.50 conductor's score

COSMIC FANTASIES

Composer: 
Phillip Rhodes
Instrumentation freestyle: 
high-school band

-Intended for younger band ensemble, written for the eighth grade band of the composer's son. The instrumentation is not standard for concert band (for example, there are only two clarinet parts rather than the usual three); it was tailored to fit the instrumentation of the band that commissioned it.  During the time period it was first performed, many of the students were absorbed in a fantastic and complex game which was generically known as “Dungeons and Dragons”. It was also during the period of Star Wars film culture dramatizing the struggle between “good” and “evil” on a galactic scale. Within this environment, the programmatic nature of this piece found its inspiration.

List Price: 
$29 conductor's score; Performance set on rental

PITCH DARK

Composer: 
Robert Ceely
Instrumentation freestyle: 
big band: 2asax, 2tsax, barsax, 4tpt, 4tbn, pf, cb, drums

ROUNDELS

Composer: 
Robert Ceely
Instrumentation freestyle: 
wind ens: 2pic-4-2-eh-Ebcl-2clA-2cl-Ebacl-bcl-cbcl-Ebcbcl-sax(satbar)-2bsn-cbsn; 4-bassett hn-4-4-1; timp, pf/cel, mrmba, vib, xyl, glock, perc

A CELEBRATION CONCERTO (past…present…future..)

Composer: 
Elizabeth R. Austin
Scoring: 
3 fl (3rd dbl pic), 3 ob (3rd dbl Eng hn), 3 cl (Bb), bscl, 2 asx, tsx, barsx, 3bsn, 4 hn, 3 tpt, 3 tenortbn (3rd dbl bstbn), euph, 2 tba, timp, 3Perc, solo piano, child soprano offstage
Instrumentation freestyle: 
for piano, child soprano and large wind ensemble

Movement I. “I am the Alpha and the Omega, the first and the last, the
beginning and the end.” (Revelation 22:13).
Interlude 1 “Ma fin est mon commencement (“My end is my beginning”)”
Movement II.“I am the door of the sheep..I am the good shepherd..”(John
10: 7-17) “Ma fin est mon commencement”
Interlude II. “I have other sheep that are not of this fold.”
Movement III. “Do not fear, only believe.” (Mark 5:36)
Interlude III. “Fare thee well and fare thee forward, Traveler!”
Movement IV. The Crystal Fountain

There are four movements, with an interlude between each. As a nod to Jerome Reed’s extensive chamber music performances, these
interludes feature various individual players from the ensemble, gathered around the keyboard.

Instruments

List Price: 
$29 conductor's score; Performance set on rental

OPENINGS

Composer: 
Christopher Shultis
Instrumentation freestyle: 
large ensemble of winds, saxophones, harp, piano, brass, percussion, contrabass

Openings is written for winds and percussion. There are four movements: mouth, mind, eye and
ear. The piece began in 2004 as I walked up the Spruce Spring Trail near Red Canyon
campground in the Manzano Wilderness for the first time. Openings is physically connected to
the density of the trail as one climbs up a ridge of the mountain. When you've reached a certain
height there are openings out into the mesa where you can see for miles and miles. Openings is
artistically connected to Encounter, the installation piece I made in collaboration with visual artist
Hee Sook Kim.

BANDFARE

Composer: 
Harold Oliver
Instrumentation freestyle: 
Picc, fl, 2 ob, bassoon, contrabassoon, 3 cl, alto cl, bass cl, sop sax, alto sax, ten sax, bar sax, 3 tpt, 4 hn, 2tbn, bass tbn, baritone, Euph, tba, bass, perc, Timp, vibraphone

AIR BOURNE

Composer: 
Harold Oliver
Instrumentation freestyle: 
Picc, 2 fl, ob, eng hn, 2 bassoon, 3 cl, bass cl, sop sax, alto sax, ten sax, 2 tpt, 4 hn, 2tbn, bass tbn, Euph, tba, bass, perc, Marimba, vibraphone, harp

CONVERGENCE

Composer: 
Harold Oliver
Instrumentation freestyle: 
picc, 2 fl, 2 ob, eng horn, 2 bassoon, 3 cl, bass cl, sop sax, alto sax, ten sax, 2 tpt, 4 hn, 2 tbn, bass tbn, euph, tba, bass, timp, perc, vibraphone, harp

THE SOUND OF LIGHT

Composer: 
Robert Gibson
Scoring: 
3 fl (3rd dbl pic), 2 ob, Eng hn, 2 cl (Bb), bscl, 2 bsn, cbsn, 4 hn, 3 tpt (in C), 2 tbn, bs tbn, tba

The title of my work, The Sound of Light, has many implications that relate to my thoughts while writing the piece: first, there is the fact that sound can literally become light under certain conditions in a technical process called sonoluminescence. The fact that vibration can take the form of sound or light depending on frequency led me to imagine how light would sound, if I could hear it. These imaginings, of course, are of a very personal nature, and not meant to be literal or programmatic. Light exists at virtually all times with some degree of darkness, and this dynamic is very much a part of my composition.

When talking about musical timbre, we often refer to the “color” of sound, and there is no group of instruments with a greater range of tone colors than the orchestral winds. Thus the choice of instruments for my piece is predicated on this range of tone-color variations that is often described in relation to lightness and darkness.

Cathexis (Concerto for Alto Saxophone and Wind Ensemble)

Composer: 
James Sain

Instrumentation:      Solo Eb Alto Saxophone


Piccolo
Flutes 1&2
Oboes 1&2
English Horn
Bassoons 1&2
Eb Clarinet
Bb Clarinets 1-3
Bb Bass Clarinet
Eb Alto Saxophones 1&2
Bb Tenor Saxophone
Eb Baritone Saxophone
F Horns 1-4
Bb Trumpets 1-5
Trombone 1&2
Bass Trombone
Euphonium
Tuba
Piano
Timpani (5)


Percussion 1-3
1 Snare Drum (SD), Suspended Cymbal (SUS CYM),
Tam Tam
2 Bass Drum (BD), Tam Tam (same instrument as for
Percussion 1), Triangle (TRI)
3 Orchestra Bells (BELLS), Xylophone (XYLO), Crash
Cymbals (CR CYM)

Instruments

TANGENTS

Composer: 
Lee Gannon
Instrumentation freestyle: 
wind ens: pic, fl, ob, 2cl, bcl, 2bsn, 2asax, tsax, barsax, 2tptC, 4hn, 2tbn, bar, tba, timp, 3perc

SYMPHONY NO. 1 for Wind Ensemble

Composer: 
Lee Gannon
Instrumentation freestyle: 
wind ens: pic, fl, 2ob, Ebcl, 3cl, bcl, 2bsn, 2asax, tsax, barsax, 3tpt, 4hn, euph, 2tbn, btbn, tba, cb, timp, 3perc
List Price: 
$59 conductor's score
List Price: 
inquire for set of parts rental or sale
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