Chris Yavelow
received graduate degrees from both Boston University and Harvard
University. He earned diplomas from the Franz Liszt Music Academy in
Budapest, the Darmstadt Internationale Ferienkurse in Germany,
and in France: the Conservatoire Darius Milhaud, and the Conservatoire
Américain de Fontainebleau--the latter followed a year of private
study with Nadia Boulanger. He has held teaching positions at the
University of Texas (Associate Professor and Composer in Residence),
Schiller College (Music Department Chairman), and Harvard (Teaching
Fellow). From 1988 through 1993 inclusive, he taught composition and
theory at Claremont Graduate University in California. He currently
teaches at the University of Maryland University College.
Yavelow is an
award-winning composer and author with seven books on computer music and
multimedia to his credit. In the 1980s, he established an international
reputation as a visionary journalist about the future of music and
computers. By the 1990s, he had written hundreds of articles for such
publications as Macworld, Electronic Musician, Byte, Computer Music
Journal, Macromedia Journal, and New Media Magazine.
As a
composer, Yavelow has been honored with more than three dozen
international awards and fellowships; for example, his “Dona Nobis
Pacem,” was unanimously awarded the grand prize at the Rencontres
Internationales du Chant Choral in France. The National Endowment for
the Arts commissioned one of his operas, The Passion of Vincent van
Gogh. Later, the National Institute of Music Theater sponsored his
award-winning chamber opera, Countdown,*
which went on to receive accolades as the first computer-assisted opera,
the first virtual orchestra performance in 1987, and the first opera in
cyberspace in 1994. He has received residency fellowships from the
likes of the MacDowell Colony and the Cummington Community of the Arts
in America, and the Camargo Foundation and Cité des Arts
in France.
His
1400-page Macworld Music and Sound Bible was the first “Bible”
book published by IDG, and it was their first book to win a Computer
Press Association Award. Named one of Mix Bookshelf’s “Top Twenty
Titles,” Yavelow’s Music and Sound Bible was the Main Selection
for the Small Computer Book Club, and was subsequently translated into
Japanese. Following that success, he co-authored Mastering the World
of QuickTime (Random House) and two book/CD-ROM combos: Multimedia
Power Tools (Random House) and Macintosh Virtual Playhouse
(Hayden). Later, he was the editor of A-R Editions’ acclaimed Computer
Music and Digital Audio book series for four years.